{"title":"Big Sale","description":null,"products":[{"product_id":"a-101-6-opto-fet-filter-phaser","title":"Doepfer - A-101-6: Six Stage Opto FET VCF","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA-101-6 is a new filter module that uses so-called opto fets to control the filter frequency. opto fets are very similar to vactrols but use light depending field effect transistors (fets) instead of light depending resistors (ldrs). a opto fet is a combination of a light depending fet and a led (light emitting diode) both put into a small light-proof case. the advantage compared to vactrols is the much faster response of opto fets compared to ldrs. this allows much faster attack\/decay times and even fm effects. the disadvantage compared to vactrols is that the fet behaves as a normal ohm resistor only for small levels. with higher levels the fet begins to distort. apart from this the notes mentioned on the vactrol basics page are valid.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003emodule a-101-6 is made of six serial 6db filter stages. each stage can work as lowpass, highpass or one of two allpass types. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ethe type of filter is chosen by jumpers on the pc board (factory setting: low pass). the type of filter determined by the jumpers positions can be marked by means of a water-resistant felt pen at the front panel. the following document shows the jumper positions for the four different filter types.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ethe resonance is controlled by the feedback control up to self oscillation. by means of a trimming potentiometer the maximal feedback can be adjusted. high feedback values can be used mainly in the allpass mode to obtain very extreme self oscillation sounds. even an external feedback signal can be used instead of the internal feedback connection (fb in socket).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ethe mix control is used to pan between the original signal (ccw position) and the effect signal (cw position). in filter mode (lp\/hp) this control is usually set fully cw. in the allpass modes one obtains phasing sounds at center position or \"pure\" allpass sound in fully cw position.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003enote: the originally planned version of the module with voltage controlled switching between the different filter types will be not realized (see front panel sketch at the left side). because of the many required voltage controlled switches this version would have been much more expensive. most of the customers who tried the a-101-6 prototype suggested to leave out this vc switching feature as it was not that impressive and instead manufacture the module in a more affordable version.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eit requires 8 te\/hp worth of space to fit in a eurorack frame.\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884387315759,"sku":"","price":127.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-101-6.jpg?v=1536180195"},{"product_id":"a-110-4-thru-zero-quadrature-vco","title":"Doepfer - A-110-4: Thru Zero Quadrature VCO","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA-110-4 is a so-called Thru Zero Quadrature VCO. The term \"quadrature\" means in this connection that the oscillator outputs sine and cosine waveforms simultaneously. The term \"Thru-Zero\" means that even \"negative\" frequencies are generated. But this a bit a misleading term as negative frequencies do not really exist. \"Negative\" means in this connection simply that the sine\/cosine waves will stop when the linear control voltage reaches 0V and continue with the opposite direction as the linear control voltage becomes negative and vice versa.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe module has two control sections: linear and a exponential. The exponential section consists of the XTune control, the 1V\/Oct input and the XFM input with the corresponding attenuator XFM. The exponential control voltage is the sum of these three voltages. The linear section consists of the LFrq control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages. A dual color LED is used to display the polarity of the linear control voltage (red = positive, yellow = negative). The pitch of the sine\/cosine outputs is determined by the control voltages of both sections. The linear section is used to control the pitch in a linear manner. When the LFrq control (LFrq means Linear Frequency Control) is fully CW the module works like a normal Quadrature VCO (e.g. like the A-143-9) and the LED lights red (red = positive). The pitch is then controlled by the exponential section with the manual Tune control XTune and the exponential frequency control inputs 1V\/Oct and XFM. 1V\/Oct is used to control the pitch by a 1V\/Oct CV source (e.g. sequencer or Midi\/USB-to-CV interface). XFM is used to apply an exponential frequency modulation with adjustable depth (e.g. from an LFO or another VCO). As the LFrq control is turned counterclockwise starting from the fully CW position the frequency is lowered in a linear manner until the sine\/cosine waves (nearly) stops at the center position of LFrq (provided that no LFM signal is present). As the LFrq control is moved from the center towards the CCW position the wave starts again but into reverse direction and the LED turns yellow. When the fully CCW position of LFrq is reached the module works again like a normal Quadrature VCO. But much more exciting is the usage of the LFM input to modify the linear control voltage by an external control voltage (typically another sine VCO like a second A-110-4 - but even normal VCOs can be used). Linear modulation by another oscillator using the thru zero feature generates audio spectra than cannot be obtained from an oscillator without the thru zero function. The reason is that a \"normal\" VCO will simply stop as the linear control voltage becomes zero or negative. But a thru zero VCO will start again with \"negative\" frequencies as the the linear control voltage becomes negative.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe main advantage of the A-110-4 compared to other Thru Zero VCOs is that the design uses a sine\/cosine core. The sine\/cosine waves are not derived from other waveforms (e.g. sawtooth or triangle) by means of waveshaping. Rather the sine and cosine waves are the core of the VCO which results in very pure waves with a minimum of distortion and overtones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe output level is about 3Vpp. Audio examples and oscilloscope pictures will follow soon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eImportant note: Please remove the bus jumper (JP3 \"BUS CV\") if no CV transmitter is installed on the same bus (e.g. a Midi\/USB-to-CV interface A-190-x or a bus access module A-185-x). The A-110-4 applies a small voltage with high impedance (100k) to the CV line of the bus when the bus CV jumper is installed. This may affect other modules that pick-up CV from the bus (e.g. other VCOs). As soon as a CV transmitter is installed on the same bus the high impedance voltage of the A-110-4 is overwritten and no problem occurs!\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884389249071,"sku":"","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a110-4.jpg?v=1536180586"},{"product_id":"doepfer-a-130-voltage-controlled-amplifier","title":"Doepfer - A-130: Voltage Controlled Amplifier","description":"\u003cp\u003e\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eModules a-130 and a-131 provide voltage-controlled amplification. for audio signals, you would normally use the exponential vca (a-131), and for control voltages, the linear vca (a-130). it doesn't always have to be that way, though.\u003cbr\u003e\u003cbr\u003e the amount of amplification the vcas provide is determined by the voltage at the cv input, and the position of the gain control, which sets the overall gain in the system.\u003cbr\u003e\u003cbr\u003e the vca has two audio inputs, each with an attenuator. they are amplified by an amount determined by the combination of the gain and the two cv controls.\u003cbr\u003e\u003cbr\u003e this module has a maximum current draw of 20ma. it requires 8 te\/hp worth of space to fit in a eurorack frame.\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884390101039,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a130.jpg?v=1536181728"},{"product_id":"a-138b-exponential-mixer","title":"Doepfer - A-138B: Mixer","description":"\u003cp\u003e\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eModule a-138 is a four channel mixer, which can be used with either control voltages or audio signals. each of the four inputs has an attenuator, and there's a master attenuator, so that the mixer can be used at the end of the audio chain - ie. it can be used to interface directly with an external mixer, amplifier, etc.\u003cbr\u003e\u003cbr\u003e a-138b: potentiometers with logarithmic response, so especially suitable for audio signal mixing.\u003cbr\u003e\u003cbr\u003e this module has a maximum current draw of 20ma. it requires 8 te\/hp worth of space to fit in a eurorack frame\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884390559791,"sku":"","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a138b.jpg?v=1536182638"},{"product_id":"c105-vc-noise-lo-fi-machine","title":"Corsynth - C105 MKII: Voltage Controlled Noise \/ Lo-Fi Machine","description":"\u003cdiv\u003e\n\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/div\u003e\n\u003cdiv\u003eThe \u003cstrong\u003eC105 VC Noise \/ Lo-Fi Machine MKII\u003c\/strong\u003e is a voltage controlled analog sample rate reducer and a VC Nosie generator. This new MKII version expands the modules possibilities with new features that allows this module to be used in other ways not possible with the previous version. Now the C105 MKII can be used like a traditional sample and hold , a voltage controlled clock generator , a random gate \/ trigger generator or a 12 db VC High pass filter and even as a square wave VCO.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe C105 new characteristics are :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe internal clock has a new LOW mode that allows to use it as a traditional sample and hold.\u003c\/li\u003e\n\u003cli\u003eThe module now accepts external clock signals, so it can be synced to other modules.\u003c\/li\u003e\n\u003cli\u003eNew clock output. Now the C105 can be used as a master clock.\u003c\/li\u003e\n\u003cli\u003eThe passive first order HPF has been replaced for a voltage controlled second order HPF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe C105 is based on a Sample and Hold with an internal clock that goes from 0,2Hz up to 44KHz and it can be voltage controlled. This wide frequency range and \u003cstrong\u003etwo FM inputs\u003c\/strong\u003e ( one with a reversible attenuator ) allow to create subtle or harsh digital and aliassing effects. The internal noise generator in combination with the S\u0026amp;H make a perfect way to create pitched noises, random voltages, sound FXs etc. In addition, there is also a \u003cstrong\u003e12db VC controlled high pass filter\u003c\/strong\u003e with an independent output.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe C105 can be used in many different ways:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSample rate reducer\u003c\/li\u003e\n\u003cli\u003eNoise generator\u003c\/li\u003e\n\u003cli\u003eVoltage controlled High pass filter\u003c\/li\u003e\n\u003cli\u003eRandom voltage generator\u003c\/li\u003e\n\u003cli\u003eRandom gate generator\u003c\/li\u003e\n\u003cli\u003eSample and Hold\u003c\/li\u003e\n\u003cli\u003eVC Clock\u003c\/li\u003e\n\u003cli\u003eSquare wave oscillator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Lo-Fi input is normalized to the internal noise generator.\u003c\/p\u003e\n\u003cp\u003eThe C105 Voltage Controlled Noise \/ Lo-Fi Machine MKII is built using high quality electronic components, \u003cstrong\u003eSwitchcraft \u003c\/strong\u003ejacks, \u003cstrong\u003eNKK \u003c\/strong\u003eswitches, \u003cstrong\u003eCosmo \u003c\/strong\u003eknobs (the same used in the Moog Modulars) , \u003cstrong\u003eblack anodized aluminium\u003c\/strong\u003e front panel.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eTechnical Data\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModule Format : \u003c\/strong\u003e5U, MU format ( Synthesizers.com, Moog )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModule Width : \u003c\/strong\u003e1 MU ( Moog Unit )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower : \u003c\/strong\u003e+15V@38mA , -15V@37mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower connectors : \u003c\/strong\u003eSynthesizers.com , MOTM ( 4 pin )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal level : \u003c\/strong\u003e 10Vpp ( +\/- 5V )\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/13451478\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/corsynth\" title=\"Corsynth\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eCorsynth\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/corsynth\/sets\/c105vcnoise\" title=\"Corsynth C105 MKII\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eCorsynth C105 MKII\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":8884411433007,"sku":"","price":330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/c105_mkii_2.png?v=1646356860"},{"product_id":"c108-dual-vca","title":"Corsynth - C108: Dual VCA","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003eThe C108 Dual VCA is a dual voltage controlled amplifier with selectable linear and exponential response.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eVCAs are one of the most important modules in a modular synth. In addition to the more obvious use, that it’s volume control, a VCA allows to add voltage control to any modulation input helping to create more interesting and time evolving patches.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA signal input.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAn initial gain control.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA voltage control input with a level potentiometer.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA switch to select the VCA response, linear or exponential.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAn output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe VCAs in this module are not only attenuators, they can also boost the input signal. Using the initial gain potentiometer and a five volts CV signal, the VCA has a maximum gain of 2 (doubles the signal amplitude). This is very useful for signal processing or to boost external signals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe C108 Dual VCA is built using high quality electronic components, Switchcraft jacks, Cosmo knobs (the same used by Moog Modular) , anodized aluminum front panel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eModule Format : 5U, MU format ( Synthesizers.com, Moog )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eModule Width : 1 MU ( Moog Unit )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eModule Depth : 52 mm ( 2,05 inches )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower : +15V@32mA , -15V@35mA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower connectors : Synthesizers.com , MOTM ( 4 pin )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVCA Maximum Gain : without using CV maximum gain 1 , using CV maximum gain 2\u003c\/span\u003e\u003c\/p\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":8884411531311,"sku":"","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/c108_dual_vca.png?v=1646357340"},{"product_id":"a111-3-micro-precision-vco-vclfo","title":"Doepfer - A-111-3: Micro Precision VCO \/ VCLFO","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModule A-111-3 is an extremely space-saving precision VCO\/LFO with a 4HP panel only. Essentially it's the same basic circuit as the A-111-2 but with reduced features:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003etriangle core\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efully analog design\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003emin. 15 octaves pitch range in each mode (VCO\/LFO):\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVCO mode: typ. 0.5 Hz - 20 kHz (with appropriate external CV) \u003c\/span\u003e\u003cspan\u003eLFO mode: typ. 0.001 Hz - 40 Hz (with appropriate external CV)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003erange switch so that the module can be used as VCO or LFO (in LFO mode all frequencies about 1\/500 compared to VCO mode) \u003c\/span\u003e\u003cspan\u003eabout 24 octaves total in both modes (typ. 0.001 Hz - 20kHz) \u003c\/span\u003e\u003cspan\u003eperfect 1V\/octave tracking over min. 10 octaves (typ. 16Hz - 16kHz in VCO mode)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eexponential frequency section:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTune control\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eselectable tune control range by means of an internal jumper: about 0.5 \/ 2 \/ 10 octaves \u003c\/span\u003e\u003cspan\u003emanual VCO tune range (with jumper pos. 1, without external CV): about 16 Hz- 20kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emanual VCO tune range (with jumper pos. 2, without external CV): about 16 Hz- 70Hz \u003c\/span\u003e\u003cspan\u003emanual VCO tune range (without jumper, without external CV): about 16 Hz- 22Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eif desired the min. frequency can be adjusted by the user (frequency offset trimming potentiometer) \u003c\/span\u003e\u003cspan\u003ethe corresponding frequencies in LFO mode are about 1\/500 lower, the max. frequency in LFO mode is about 40Hz \u003c\/span\u003e\u003cspan\u003e1V\/octave CV input \"1V\" \u003c\/span\u003e\u003cspan\u003eexponential frequency modulation XM input with attenuator \u003c\/span\u003e\u003cspan\u003ethe XM input socket is normalled to a small positive voltage so that the XM control works as fine tune control when exponential FM is not in use. As a logarithmic potentiometer for finer resolution in the lower range is used, also the fine control is exponential \u003c\/span\u003e\u003cspan\u003e(thank's to Václav of Bastl Instruments for this tip at Superbooth in Berlin) \u003c\/span\u003e\u003cspan\u003eaccess to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003elinear frequency section:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elinear frequency modulation input LM (without attenuator), DC coupled \u003c\/span\u003e\u003cspan\u003ePulsewidth section for rectangle output:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManual pulsewidth control PW, adjusts pulsewidth from 0% (output = fixed at \"low\" state) up to 100% (output fixed at \"high\" state) \u003c\/span\u003e\u003cspan\u003ePulsewidth modulation input PM (without attenuator), about 5Vpp required for full PW range Sync input SY (selectable hard or soft sync via internal jumper)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWaveform outputs:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSawtooth, rising edge, output level ~ 10Vpp (voltage range 0 ... +10V) \u003c\/span\u003e\u003cspan\u003eRectangle (controlled from pulsewidth section), output level ~ 10Vpp (voltage range 0 ... +10V) \u003c\/span\u003e\u003cspan\u003eTriangle, output level ~ 10Vpp (voltage range -5V ... +5V, DC offset can be adjusted also also to 0 ... +10V) \u003c\/span\u003e\u003cspan\u003eNearly \"perfect\" waveforms (no glitches) \u003c\/span\u003e\u003cspan\u003eLED (for display in LFO mode) \u003c\/span\u003e\u003cspan\u003eonly 4HP panel.\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884415823919,"sku":"","price":207.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-111-3.jpg?v=1536180820"},{"product_id":"a-118v","title":"Doepfer - A-118V: Noise \/ Random","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eModule A-118 is (as you might have guessed) a noise and random voltage generator. It produces three types of signal: white noise, colored noise, and random voltage. The noise signal is generated 100% analog by amplification of the noise of a transistor. White and colored noise can be used as audio sources, and also, in conjunction with a sample \u0026amp; hold module, as control voltages, and the random voltage is a useful source of voltage control, especially for its low frequency content. The A-118 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the colored noise output. There are knobs to control the rate of change and amplitude of the random voltage, and two LEDs indicate the state of the voltage at any one time.\u003cbr\u003e\u003cbr\u003eWidth: 8TE \/ 8HP \/ 40.3 mm\u003cbr\u003eDepth: 40 mm (measured from the rear side of the front panel)\u003cbr\u003eCurrent: +20mA (+12V) \/ -10mA (-12V)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884422803503,"sku":"","price":104.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a118.jpg?v=1536163149"},{"product_id":"a-138bv","title":"Doepfer - A-138BV: Mixer","description":"\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003eModule A-138 is a four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator, and there's a master attenuator, so that the mixer can be used at the end of the audio chain - ie. it can be used to interface directly with an external mixer, amplifier, etc.\u003cbr\u003e\u003cbr\u003eA-138 b: potentiometers with logarithmic response, so especially suitable for audio signal mixing.\u003cbr\u003e\u003cbr\u003eWidth: 8 TE \/ 8HP \/ 40.3 mm\u003cbr\u003eDepth: 35 mm (measured from the rear side of the front panel)\u003cbr\u003eCurrent: +10mA (+12V) \/ -10mA (-12V)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884422869039,"sku":"","price":92.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a138b_389632e4-4cce-4aa7-8901-539f27d35e6c.jpg?v=1536163464"},{"product_id":"a-147-2v","title":"Doepfer - A-147-2V:","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003eModule A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor. The module is made of these sub-units:\u003cbr\u003e\u003cbr\u003e VCLFO: voltage controlled low frequency oscillator\u003cbr\u003e\u003cbr\u003e VCA: voltage controlled amplifier, switchable to voltage controlled polarizer\u003cbr\u003e\u003cbr\u003e VC delay unit: voltage controlled linear attack envelope (only one parameter: attack) for delayed LFO operation in combination with the VCA (e.g. delayed vibrato\/tremolo)\u003cbr\u003e\u003cbr\u003eLFO: The voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset\/Sync input. Triangle\/Sine and Rectangle are displayed by means of dual-color LEDs (probably red\/green), Sawtooth has a unicolor LED available (probably blue). The output levels are about -4V...+4V for Triangle, Sine and Rectangle. The Sawtooth level is about 0...+8V.The CV control can be switched to attenuator or polarizer (\"CV Mode\" switch). In polarizer mode the CV inputs affects the frequency in the reverse manner when the CV control is left from the center position. In the center position CV has no effect and right from the center the control works like a normal attenuator. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes per periode) to 200 Hz (with external CV max. frequency about 1kHz). In addition a ultra-low mode can be activated by means of an internal jumper. When the ultra-low jumper is set a fixed voltage is connected to the switching contact of the \"LFO CV\" socket. In polarizer mode of the CV control that way extremely low frequencies (up to one hour period and more) are possible. For this a jumper has to be installed on the pin header JP6. In the factory a dummy jumper is installed on the pin header JP7 \"Dummy\". JP7 has no function and is used only for \"parking\" of the jumper. Simply remove the jumper from JP7 and plug it on JP6. JP6 is located behind the CV control.\u003cbr\u003e\u003cbr\u003eVCA: This is a linear VCA that can be switched to \"normal\" VCA (i.e. kind of a voltage controlled attenuator) or voltage controlled polarizer (\"VCA Mode\" switch). In the \"normal\" VCA mode amplification +1 is achieved with about +5V control voltage. In polarizer mode the amplification ranges from about -0.5 (i.e. inverted signal with about 50% level) with 0V CV to +0.5 (i.e. non-inverted signal with about 50% level) with +5V CV. With about +2.5V CV the signal is suppressed. Details about the functioning of a voltage controlled polarizer can be found in the description of the module A-133. In this mode the VCA can be treated also a DC coupled ring modulator (similar to A-114).\u003cbr\u003e\u003cbr\u003eThe VCA of the A-147-2 has three sockets available: \"In\" (signal input), \"Out\" (signal output) and \"CV\" (control voltage input). The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the \"VCA In\" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the \"VCA In\" socket. The VCA can be used also independently from the LFO and the Delay CV. In this case the VCA sockets In, Out and CV have to be patched accordingly. The VCA can be used also as waveshaper for the LFO signals (e.g. by patching VCA In and VCA CV to different LFO signals, if necessary via attenuator A-183-1 or offset generator\/attenuator A-183-2).\u003cbr\u003e\u003cbr\u003eAttack\/Delay: The third sub-unit of the module is a simple, voltage controlled envelope generator that has only the parameter \"Delay\" (or Attack) available. This unit generates a linear increasing voltage that starts from 0V after each Delay Reset until it reaches about +5V. Then the voltage remains at +5V until the next Delay Reset occurs. The inclination or gradient is controlled by the manual Delay control and the Delay control voltage (\"Delay CV\" input). The waveform is linear, the control scale is exponential. The output voltage is displayed by a unicolor LED (probably orange) and available at the \"Delay Out\" socket.\u003cbr\u003e\u003cbr\u003eThe manual Delay control ranges - without external \"Delay CV\" - from about 5ms (fully CW) up to 2 minutes (fully CCW). By means of an external voltage applied to the \"Delay CV\" socket this range can be extended. A rising CV shortens the delay time (behaviour like a VCO) !\u003cbr\u003e\u003cbr\u003eThe Delay output voltage ranges from about 0V to +5V. The rising edge of the gate, clock or trigger signal applied to the \"Delay Reset\" sockets resets the Delay output voltage to 0 V. \"Delay Out\" is normalled to the VCA CV input by means of the switching contact of the \"VCA CV\" socket and consequently controls the Triangle level provided that no other patch is made. A typical example is the usage of a Gate signal (e.g. from a USB\/Midi-to-CV\/Gate interface) as Delay Reset. That way a delayed vibrato or tremolo can be realized if the VCA output is patched to the frequency CV input of a VCO (or VCF), or the CV input of a VCA. But the Delay sub-unit can be used also independently from the LFO and VCA, e.g. as a voltage controlled waveshaper or for other applications where a linear increasing signal with voltage controlled steepness is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications: \u003c\/strong\u003e\u003cbr\u003e Output level Triangle, Sine and Rectangle: about -4...+4V (symmetrical)\u003cbr\u003e Output level sawtooth: about 0...+8V (positive only)\u003cbr\u003e Frequency range without external CV: about 0,005Hz (about 3 minutes) ... 200Hz\u003cbr\u003e Frequency range in ultra low mode or external CV: about 1 hour period ... about 1kHz\u003cbr\u003e Trigger level for LFO Reset\/Delay Reset: about min. 6 Vpp (AC coupled, i.e. the voltage difference is essential)\u003cbr\u003e VCA CV\/amplification: 0....+5V for amplification 0...+1 (in VCA mode), 0...+5V for amplification -0,5...+0,5 (in polarizer mode)\u003cbr\u003e Delay range: about 5ms ... about 2 minutes\u003cbr\u003e\u003cbr\u003eWidth: 8 TE \/ 8 HP \/ 40.3 mm\u003cbr\u003eDepth: 55 mm (measured from the rear side of the front panel)\u003cbr\u003eCurrent: +60mA (+12V) \/ -40mA (-12V)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884422967343,"sku":"","price":190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-147-2.jpg?v=1582834550"},{"product_id":"a-139-2","title":"Doepfer - A-139-2: Headphone Amplifier","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003etwo-channel headphone amplifier\u003cbr\u003e \u003cbr\u003e    two audio inputs with level controls\u003cbr\u003e \u003cbr\u003e    Input 1 is normalled to Input 2\u003cbr\u003e \u003cbr\u003e    common loudness\/master level control\u003cbr\u003e \u003cbr\u003e    headphone output (stereo 1\/4\" jack socket)\u003cbr\u003e \u003cbr\u003e    max. output power ~ 2 W per channel (@ 8 Ohm load)\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eDC coupled inputs and outputs (i.e. also useful for other applications like small loudspeakers, lamps, LEDs, magnets, motors - provided that the power is sufficient)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884440498223,"sku":"","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-139-2.jpg?v=1536182916"},{"product_id":"a-110-6","title":"Doepfer - A-110-6: Trapezoid Thru Zero Quadrature VCO","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003eA-110-6 is a Trapezoid Thru Zero Quadrature VCO. The module is based on an idea by Donald Tillman from 2003 but has been revised for the use of modern electronic circuits (no OTAs\/CA3280). Because of it's unique trapezoid core it's totally different compared to other VCOs. But the trapezoid core is not the only specialty: it is also a quadrature VCO and features linear thru zero frequency modulation.\u003cbr\u003e\u003cbr\u003eThe term \"quadrature\" means in this connection that the oscillator outputs two trapezoid waves with 90 degrees phase shift. The same as sine and cosine of a standard quadrature oscillator like the A-110-4 or A-143-9. These waveforms are called TRASIN (trapezoid sine) and TRACOS (trapezoid cosine).\u003cbr\u003e\u003cbr\u003eThe term \"Thru-Zero\" means that even \"negative\" frequencies are generated. But this a bit a misleading term as negative frequencies do not really exist. \"Negative\" means in this connection simply that the TRASIN\/TRACOS waves will stop when the linear control voltage reaches 0V and continue with the opposite directions as the linear control voltage becomes negative and vice versa.The module has two control sections: linear and a exponential. The exponential section consists of the XTune control, the 1V\/Oct input and the XFM input with the corresponding attenuator XFM. The exponential control voltage is the sum of these three voltages. The linear section consists of the LFrq control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages. A dual color LED is used to display the polarity of the linear control voltage. The pitch of all outputs is determined by the control voltages of both sections. The linear section is used to control the pitch in a linear manner. When the LFrq control (LFrq means Linear Frequency Control) is fully CW the module works like a normal VCO and the LED lights red. The pitch is then controlled by the exponential section with the manual Tune control XTune and the exponential frequency control inputs 1V\/Oct and XFM. 1V\/Oct is used to control the pitch by a 1V\/Oct CV source (e.g. sequencer or Midi\/USB-to-CV interface). XFM is used to apply an exponential frequency modulation with adjustable depth (e.g. from an LFO or another VCO). As the LFrq control is turned counterclockwise starting from the fully CW position the frequency is lowered in a linear manner until the TRASIN\/TRACOS waves (nearly) stop at the center position of LFrq (provided that no LFM signal is present). As the LFrq control is moved from the center towards the CCW position the waves start again but into reverse direction and the LED turns yellow. When the fully CCW position of LFrq is reached the module works again like a normal VCO. But much more exciting is the usage of the LFM input to modify the linear control voltage by an external control voltage (typically another VCO). Linear modulation by another oscillator using the thru zero feature in combination with the trapezoid waveforms generates audio spectra than cannot be obtained from any other oscillator without the thru zero function. The reason is that a \"normal\" VCO will simply stop as the linear control voltage becomes zero or negative. But a thru zero VCO will start again with \"negative\" frequencies as the the linear control voltage becomes negative.\u003cbr\u003e\u003cbr\u003eOther waveforms like triangle, sawtooth, rectangle and sine can be obtained from the TRASIN\/TRACOS signals (triangle e.g. simply by subtracting TRISIN and TRICOS, SAWSIN and SAWCOS by switching the other waveforms). All five waveforms are available as quadrature pairs (i.e. with 90 degrees phase shift):\u003cbr\u003e\u003cbr\u003e Trapezoid (TRASIN + TRACOS)\u003cbr\u003e\u003cbr\u003e Triangle (TRISIN + TRICOS)\u003cbr\u003e\u003cbr\u003e Sinus (SIN + COS)\u003cbr\u003e\u003cbr\u003e Rectangle (RECSIN + RECCOS)\u003cbr\u003e\u003cbr\u003e Sawtooth (SAWSIN + SAWCOS)\u003cbr\u003e\u003cbr\u003eBy means\u003cbr\u003e\u003cbr\u003e of a toggle switch the frequency range can be selected between VCO (audio range) and LFO. In LFO range the frequencies are about 1\/100 compared to VCO mode.\u003cbr\u003e\u003cbr\u003eA dual-color LED display the polarity of the linear control section.Another dual-color LED shows the signal TRASIN which is helpful in LFO mode.\u003cbr\u003e\u003cbr\u003eTechnical note regarding linear FM: The LFM CV input is DC coupled. If the input is used for linear FM in audio range and the signal applied to this input has a DC offset it will cause a small pitch shift that depends upon the value of the DC voltage. Especially when a VCA is used to change dynamically the level of the modulation signal this may generate a pitch shift caused by the control voltage feedthrough of the VCA. The control voltage feedthrough adds a DC voltage at the output which depends upon the control voltage of the VCA. For this application VCAs with a very low CV feedthough should be used or the signal output of the VCA should be AC coupled to the LFM input of the A-110-6 (e.g. by inserting a capacitor).\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884440530991,"sku":"","price":317.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-110-6.jpg?v=1536180618"},{"product_id":"corsynth-c101b-ota","title":"Corsynth - C101B: OTA Lowpass Filter","description":"\u003cp\u003e\u003cstrong\u003eManufacturer Description:\u003c\/strong\u003e\u003c\/p\u003e\nThe C101B OTA Lowpass filter is a low pass filter based on four cascade OTA-stages. This OTA filter design can be found in many classic synthesizers like Roland Jupiter 8, Roland Juno 60, Roland System 100m, Roland SH-1, SH-7, SH-101, Roland System 700, Jen SX1000 and many more. \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003eC101B main characteristics \u003cbr\u003e\u003cbr\u003eTwo filter outputs with 6db and 24db response\u003cbr\u003e\u003cbr\u003eVoltage controlled resonance\u003cbr\u003e\u003cbr\u003eThree modulation inputs ( one with an attenuverter )\u003cbr\u003e\u003cbr\u003eOne audio input\u003cbr\u003e\u003cbr\u003eGain compensation circuit for the 24db output. \u003cbr\u003e\u003cbr\u003eBetter bass response and no more volume drop when you turn up the resonance.\u003cbr\u003e\u003cbr\u003eThis gain compensation can be deactivated.\u003cbr\u003e\u003cbr\u003eFilter self oscillate and can be used as VCO ( 1V\/Octave )\u003cbr\u003e\u003cbr\u003eTemperature compensated\u003c\/p\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":9010964856879,"sku":"","price":315.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/C101B.jpg?v=1534819160"},{"product_id":"doepfer-a-105-4-quad-poly-vcf","title":"Doepfer - A-105-4: Quad Poly VCF","description":"\u003cdiv\u003e\n\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eA-105-4 is our first polyphonic filter and contains four identical 24dB Lowpass filters (SSM2044 type). It has available common manual controls and CV inputs with attenuators for these parameters.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe module has these controls and in\/outputs are available:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFrequency F \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFrequency Modulation Intensity FM \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eResonance Q \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Input Level L \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVF control (attenuator for Frequency Control Voltage CVF)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVFM control (attenuator for Frequency Modulation Control Voltage VCFM)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVQ control (attenuator for Resonance Control Voltage CVQ)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVL control (attenuator for Level Control Voltage CVL)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVF socket (Frequency Control Voltage CVF)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVFM socket (Frequency Modulation Control Voltage VCFM)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVQ socket (Resonance Control Voltage CVQ)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVL socket (Level Control Voltage CVL)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFM Input 1 - 4 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Input 1 - 4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Output 1 - 4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eEach filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4). The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe range of the audio input level control (L) allows also clipping\/distortion with typical A-100 audio levels (e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApplication: polyphonic patches (four VCFs with same parameters)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":9838608384047,"sku":"","price":305.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/A1054.jpg?v=1545177114"},{"product_id":"doepfer-a-146","title":"Doepfer - A-146","description":"\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" size=\"2\" face=\"Arial\"\u003eModule A-146 (LFO 2) is a Low Frequency Oscillator, which produces periodic control voltages over a wide range of frequencies. \u003cbr\u003e The LFO can be used as a modulation source for a series of modules (for instance pulse width and\/or frequency modulation of a VCO, modulation of a VCF cut-off frequency, amplitude modulation with a VCA). \u003cbr\u003e Three outputs are available, with different waveforms: sawtooth \/ triangle; square wave, and positive-voltage square wave. \u003cbr\u003e The waveform is continuously adjustable from rising sawtooth, through triangle to falling sawtooth. The same control affects the pulse width of the square wave. \u003cbr\u003e A three-way switch can select one of three frequency ranges, spanning from one cycle every few minutes, at the lowest, up to audio frequency at the highest. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" size=\"2\" face=\"Arial\"\u003eWidth: 8 HP \/ 40.3 mm\u003cbr\u003e \u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\" size=\"2\" face=\"Arial\" color=\"#000000\"\u003e Depth: 45 mm (measured from the rear side of the front panel)\u003cbr\u003e \u003c\/span\u003eCurrent: +20mA (+12V) \/ -20mA (-12V)\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":12362609590319,"sku":"","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/doepfer_a-146.jpg?v=1582834091"},{"product_id":"synthetic-sound-labs-mini-sequencer","title":"Synthetic Sound Labs Model 1651 - Mini Sequencer II","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e5U MODULE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn upgraded version of our popular 1651 with greatly improved features. A collaboration with our friends at Division-6.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeature enhancements over the 1650 include:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e7 sequence memories\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e5 song memories (string sequences together)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSLUR- change pitch between steps without firing gate\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVariable gate timing (including ratcheting)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eACC can be set to drop or not drop between steps, or follow gate timing for that step\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAuto-advance step when programming\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLive transpose (use the keyboard to shift entire sequence up or down while running)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLive edit (buttons you push while running get saved to the sequence)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1X mode (disable to use XP IN as a reset without requiring an external gate mixer)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eClock out (use ACC out jack to output clock if using internal clock)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 1651 gives you standard CV and pulse out, plus an ACC out (Accent? Accessory?)  Use the ACC output to open up a filter, enable a glide, trigger a drum, or whatever you can think of.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt has its own internal clock to get you up and running in a hurry, but you can connect an external clock if you need greater control of tempo or want to sync with other devices.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe module can store up to 5 songs of 16 sequences each, and 7 sequences of up to 16 steps each.  Wow!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCLOCK IN (External clock input)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSTART IN (Expansion input; Starts sequencer back at step 1. Use for daisy-chaining multiple units)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEND OUT (Sends pulse when sequencer goes past last step. Use for daisy-chaining multiple units)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eACC OUT (Can be programmed on or off in each sequence step)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePULSE OUT\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCV OUT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCV OUT covers 5 octaves\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSequences can be set to any length up to 16 steps by using LOOP feature\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSetting a step to REST holds previous pitch and doesn’t fire PULSE out\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSetting a step to SLUR changes to the new CV and doesn’t fire the PULSE out\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIn Standby mode, sequencer can be used as a tiny keyboard without altering programmed sequences\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e7 sequence memories with up to 16 steps per sequence.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e5 song memories string up to 16 sequences together\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLive transpose\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMuch more…\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCascading\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYou can also cascade multiple 1651 ‘s to create longer, more complex and syncopated patterns.  Why would you need more than one sequencer?\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMore sequencers = more steps\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUse one for playing notes and the other for transposing those notes\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCan be used as a clock divider\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRun in parallel for multiple CVs \/ triggers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe two sequencers will run completely independently, or you can daisy-chain them using the START IN \/ END OUT jacks to create sequences of any length.\u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":31308954665024,"sku":"","price":345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/SSL_Mini-Sequencer.jpg?v=1576902112"},{"product_id":"doepfer-a-147-2","title":"Doepfer - A-147-2","description":"\u003cp\u003eModule A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor.\u003c\/p\u003e\n\u003cp\u003eThe module is made of three sub-units: VC-LFO, VCA and VC-delay.\u003c\/p\u003e\n\u003cp\u003eThe voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset\/Sync input. Triangle\/Sine and Rectangle are displayed by means of dual-color LEDs. The CV control can be switched to attenuator or polarizer. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes) to 200 Hz. In addition an ultra-low mode (up to 1 hour) can be activated by means of an internal jumper. The linear VCA can be switched to \"normal\" VCA or voltage controlled polarizer. In polarizer mode the VCA can be treated also a DC coupled ring modulator. The VCA of the A-147-2 has three sockets available: \"In\" (signal input), \"Out\" (signal output) and \"CV\" (control voltage input). The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the \"VCA In\" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the \"VCA In\" socket. The VCA can be used also independently from the LFO and the Delay CV. The third sub-unit of the module is a simple, voltage controlled envelope that has only the parameter \"Delay\" (or Attack) available. This unit generates a linear increasing voltage. The manual Delay control ranges - without external \"Delay CV\" - from about 5ms up to 2 minutes. By means of an external voltage applied to the \"Delay CV\" socket this range can be extended. The Delay output voltage ranges from about 0V to +5V. The rising edge of the gate, clock or trigger signal applied to the \"Delay Reset\" sockets resets the Delay output voltage to 0 V. But the Delay sub-unit can be used also independently from the LFO and VCA, e.g. as a voltage controlled waveshaper or for other applications where a linear increasing signal with voltage controlled steepness is required.\u003c\/p\u003e\nHP : 8","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":34708616675485,"sku":"","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-147-2_f4824035-81e7-416f-9b79-bf140f9d78f0.jpg?v=1592437070"},{"product_id":"doepfer-a-184-2","title":"Doepfer - A-184-2","description":"\u003cp\u003eThe A-184-2 contains two independent circuits. On one hand there's a curve converter which forms a triangle into a nealy perfect sine; pretty handy as an oscillator expander for VCOs without a sine or with an imperfect one. On the other hand the module features a voltage controlled crossfader which, using high quality SSM-VCAs, is intended for audio.\u003c\/p\u003e\n\u003cp\u003eThe upper part of the module is, like stated before, is a very precise curve converter for generating an utterly clean sine wave from a triangle wave.\u003c\/p\u003e\n\u003cp\u003eThe bottom part is a circuit for crossfading between two input signals to one output. This can happen manually with the CF control as well as voltage controlled via the scaleable CV input. Both inputs are equipped with LEDs displaying signal levels. The A input is normalized to the sine converters' output.\u003c\/p\u003e\nHP : 4","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":34721618002077,"sku":"","price":127.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-184-2.jpg?v=1592508974"},{"product_id":"norhtern-lights-modular-cv-polymorpher-model-hoc","title":"NLM CV Polymorpher – Model hOC H-Module [Buchla Compatible]","description":"\u003cp\u003eNorthern Light Modular!\u003c\/p\u003e\n\u003cp\u003eOrnaments and Crime for 5U h series\u003cbr\u003eOne can now further adjust the incoming and outgoing voltages.\u003c\/p\u003e\n\u003cp\u003eThe same trim ports we feature in the cardOC are now in the small one as well.\u003cbr\u003eWe also unify the architecture so the same firmware will run the cardOC and the new hOC\u003c\/p\u003e\n\u003cp\u003eCables and knobs are separated for easier access when patched\u003c\/p\u003e\n\u003cp\u003eThe h series modules require a h bracket to be mounted in a 1U space\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/drive.google.com\/open?id=1KsXDJ0bGqKfc2SbyJl4o_4Cs0xJgLHQb\" target=\"_blank\"\u003eLatest firmware \u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/drive.google.com\/drive\/folders\/1Az_i6ueBysfvQzPdvX_MPBTi8r2kyO51?usp=sharing\" target=\"_blank\"\u003eHemisphere\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/northernlightmodular.com\/xoc-quickstart-guide\/\" target=\"_blank\"\u003eQuickstart Guide\u003c\/a\u003e\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":37548782125226,"sku":"","price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/hOC.jpg?v=1605051002"},{"product_id":"northern-lights-modular-time-and-triggers-model-htt","title":"NLM – Model hTT Time and Triggers H-Module [Buchla Compatible]","description":"\u003cdiv class=\"product-short-description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNorthern Light Modular!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBased on the Temps Utile the hTT provides five outputs of trigger pulses , clock sources and one optional sequencer or stepped random generator.\u003cbr data-mce-fragment=\"1\"\u003eFurthermore the pulses can be combined using shorting bars from the 208 Music Easel providing polyrhythm generators.\u003cbr data-mce-fragment=\"1\"\u003eThe pulse length and various other parameters can be adjusted, combined and saved into 4 dedicated slots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOutput 4 also can be linked back with a shorting bar to produce ratcheting and other feedback effects.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":37548877119658,"sku":"","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/hTT.jpg?v=1605052392"},{"product_id":"doepfer-a-102","title":"Doepfer - A-102","description":"\u003cp data-mce-fragment=\"1\"\u003eModule A-102 is a reproduction of the legendary low pass filter design that uses diodes in the filter stage as frequency controlling elements resulting in \"strange\" resonance behaviour and frequency response as resonance and frequency are not independent from another.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003emanual control of filter frequency\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e3 CV inputs (CV1, CV2, CV3), 2 of them with attenuator (CV2, CV3)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003einput level control\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eresonance control up to self oscillation (depends upon the frequency setting for the A-102)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr class=\"line\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePower consumption: 30mA at +12V and 10mA at -12V\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDepth: 60mm\u003c\/p\u003e\nHP : 8","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":37703539196074,"sku":"","price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/A-102.jpg?v=1607369574"},{"product_id":"doepfer-a-108","title":"Doepfer - A-108","description":"\u003cp\u003eModule A-108 is a completely new voltage-controlled low pass pass filter based on the well-known transistor ladder (Moog ladder).\u003c\/p\u003e\n\u003cp\u003eThe module has internally an 8 stage low pass filter with different slopes available: 6, 12, 18, 24, 30, 36, 42 and 48 dB per octave. In addition it features an band pass output (i.e. band pass with transistor ladder). In the factory the 4 low pass outputs of the A-108 are internally connected to the filter stages 6, 12, 24 and 48dB. From our first A-108 audio tests this seems to be the best output combination as these outputs generate audible different sounds. E.g. the audible difference between the 48dB and 42dB or between 42dB and 36dB is very little. But if desired any of the filter stages can be connected to one of the outputs.\u003c\/p\u003e\n\u003cp\u003eRemark: Only 4 output stages are available as this seems to be sufficient from our experiences. In the factory the out stages are connected to the filter stages with 6, 12, 24 and 48 dB slope. By changing the internal connections (jumpers or wires) each of the filter stages can be used but only four at a time. Even a multi-way switch could be used but from our results the factory setting (6\/12\/24\/48dB) is the best combination for musical applications. From our experience it would e.g. make not much sense to have 30dB, 36dB, 42dB and 48dB available simultaneously - but if desired one could have this combination avaiable.\u003c\/p\u003e\n\u003cp\u003eResonance (Emphasis or Q ) can be adjusted manually right up to self-oscillation, in which case the filter will behave like a sine wave oscillator. The A-108 features an external feedback input that enables the insertion of additinal modules into the feedback path (e.g. VCA for voltage controlled resonance or phaser\/frequency shifter for phase\/frequency shifting effects). The socket is normalized and internally connected to the 48dB low pass output if no cable is inserted into the feedback socket. The frequency can be adjusted manually, or by voltage control. Three CV inputs (CV1, CV2, CV3) are available. CV2 and CV3 are eqipped with attenuators.\u003c\/p\u003e\n\u003cp\u003eThe filter audio input is very sensitive so that distortion - if desired - is possible even with normal A-100 levels (e.g. VCO output). Self oscillation will break off at high distortion levels as the internal feedback signal is drown out by the distorted audio signal. This feature may intentionally be used to create new sounds. In combination with the Voltage Controlled Mixer A-135 and the Morphing Controller A-144 a filter with voltage controlled slope can be realized (i.e. controlling the slope from 6dB to 48dB via CV).\u003c\/p\u003e\n\u003chr class=\"line\"\u003e\n\u003cp\u003ePower consumption: 40mA at +12V and 40mA at -12V\u003c\/p\u003e\n\u003cp\u003eDepth: 75mm\u003c\/p\u003e\n\u003cp\u003eHP : 12\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":37703610237098,"sku":"","price":207.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/A-108.jpg?v=1607371148"},{"product_id":"northern-light-modular-evenmidi-4u-model-2em","title":"NLM – Model 2EM EvenMidi [Buchla Compatible]","description":"\u003cp\u003eNorthern Light Modular!\u003c\/p\u003e\n\u003cp\u003eBuchla Format midi encoder tailored to Eventide, Strymon and other midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003ePairs excellently with the 2H9 4U module but also controls any midi CC driven unit , external or VST synth and effect\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox Strymon BigSky\/TimeLine and more\u003cbr\u003e10 controls for direct control of any mapped parameter\u003cbr\u003e10 CV inputs to animate those controls\u003cbr\u003e10 attenuverters to scale the incoming CV positively or negatively\u003c\/p\u003e\n\u003cp\u003eExpression pedal input for hands free control\u003c\/p\u003e\n\u003cp\u003eUp to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003eVSTs, external synths and everything else that takes midi in can be modulated directly by the CV of your Buchla system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1vxTSogcMb87QnA9TSV4UHhFtcuXJuIrm\/view?usp=sharing\" target=\"_blank\"\u003eLatest Firmware V1.8.5\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1b4ETtsOntUS8P3VFbVH33JgtatRU1Hsg\/view?usp=sharing\" target=\"_blank\"\u003eFirmware updater (WIN)\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":37768201928874,"sku":"","price":975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/NLM2EM.jpg?v=1608603565"},{"product_id":"doepfer-a-101-1v","title":"Doepfer - A-101-1V","description":"\u003cp data-mce-fragment=\"1\"\u003eThis is the first vactrol based module in the A-100 system.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA vactrol is a combination of a light depending resistor (LDR) and a LED (light emitting diode) both put into a small light-proof case. Increasing the LED brightness causes a decrease of the LDR resistance (e.g. the light controlled voltage module A-179 is an application of a LDR). This effect can be used in circuits that require variable resistors to obtain the desired function (e.g. VCFs, VCAs, VC phasers, VC trigger delays, VC slew limiters, VC Envelope Generators, VC LFOs, VCOs and many more). The advantage of vactrols compared with other solutions (e.g. OTAs, diodes, transistors or FETs as variable resistors) is that they behave like a normal Ohm resistor and can handle high voltages without causing distortion. This is probably the reason why the sound of vactrol-based circuits usually is described as soft or mellow. Disadvantages are the expenditure and consequently the expenses and the not exactly defined coherence between LED current and LDR resistance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor each vactrol the LDR resistance decreases when the LED current increases but mechanical and electrical tolerances cause that each vactrol will behave a bit different (e.g. because of the differences in alignement and distance between LED and LDR, different brightness of the LEDs at the same current).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eModule A-101-1 is a special multitype filter based on an idea by Nyle A. Steiner. The circuit uses the standard non-inverting amplifier filter design. Different filter types (low pass \/ LP, band pass \/ BP, high pass \/ HP) are realized by injecting the audio signal into different points of the circuit and using a common output for all filter types. One may feed three different audio signals into the filter simultaneously. Each signal is filtered correspondingly (LP resp. BP resp. HP) and the sum of the three filtered signals appears at the output. Of course it is possible to feed the same signal to all three inputs. In this case one obtains different combinations of LP\/BP\/HP according to the settings of the three input attenuators for LP\/BP\/HP. Even a Notch filter is possible (not available in the original design). The filter inputs are normalled, i.e. the BP input is connected to the LP jack socket provided that no cable is plugged into the BP socket (same applies for HP\/BP inputs).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn contrast to the original circuit vactrols are used instead of diodes as variable resistors for frequency control of the filter. Due to the\"crooked\" response of vactrols the filter has not an exact frequency control standard (like V\/Oct). The inevitable tolerances between different vactrols will lead to an individual sound of each module and individual resonance behaviour. Even the resonance control is realized with vactrols. Consequently this parameter is voltage controlled, too. Resonance can be increased up to self-oscillation. Resonance and consequently self-oscillation may vary with the filter frequency because of vactrol tolerances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA special feature of the module are the two audio outputs. Out 1 is the output of the original circuit. In the original circuit by Nyle A. Steiner the output level was distinctly dependent upon the resonance (higher resonance = higher output level). Out 2 compensates this behaviour by the usage of an additional vactrol that is connected in series to the vactrol that controls the resonance. This additional vactrol forms an attenuator (or simple VCA) that approximately compensates the level increase for higher resonance settings.\u003c\/p\u003e\n\u003chr class=\"line\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePower consumption: 30mA at +12V and 30mA at -12V\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDepth: 50mm\u003c\/p\u003e\nHP : 16","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":39706165018794,"sku":"","price":207.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-101-1v.jpg?v=1619034690"},{"product_id":"sequential-take-5-compact-poly-synth","title":"Sequential - Take 5","description":"\u003ch3\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003ePortable, Powerful, Polyphonic\u003c\/h3\u003e\n\u003cp\u003eThe Take 5 is Sequential’s most compact, full-featured, full-throttle VCO\/VCF-based poly synth ever. It’s the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths — whether you’re new to analog synths or a space-conscious pro. And since it’s portable, you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind. Genuine Sequential sound and quality at a price within your reach.\u003c\/p\u003e\n\u003ch3\u003eFits Anywhere You Need It\u003c\/h3\u003e\n\u003cp\u003eWith 44-full-size keys and a total width of just 26 inches, the Take 5 fits easily into your studio or on stage. Its nearly knob-per-function control panel gives you immediate access to all of its essential sound-shaping controls. And its ingenious key-split feature gives you access to a wider playable range than other compact synths by letting you divide the 3.5 octave keyboard into two separate performance zones.\u003c\/p\u003e\n\u003ch3\u003ePowerful Synthesis\u003c\/h3\u003e\n\u003cp\u003eThe five voices of the Take 5 get their distinctive sound from a combination of two analog VCOs and a sub oscillator passing through a Prophet-5-lineage 4-pole analog filter. The result is classic Sequential — smooth, warm, punchy sound that sits perfectly in a mix and cuts through clearly on stage. For even more analog-style goodness, a Vintage knob adds voice-to-voice variation for genuine vintage character. Dual Digital effects, a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM all ensure the Take 5 can kick out modern tone just as easily as it does vintage..\u003c\/p\u003e\n\u003ch3\u003eFinishing Touches\u003c\/h3\u003e\n\u003cp\u003eThe Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice), two ADSR+delay envelopes, extensive modulation, a 64-step polyphonic sequencer, and a multimode arpeggiator. The premium Fatar keybed makes it a pleasure to play, wherever you take it.\u003c\/p\u003e\n\u003ch3\u003eTake 5 Specifications\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOSCILLATORS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo analog VCOs per voice\u003c\/li\u003e\n\u003cli\u003eContinuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator\u003c\/li\u003e\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking on\/off for each oscillator\u003c\/li\u003e\n\u003cli\u003eFront-panel FM (frequency modulation)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMIXER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\n\u003cli\u003eWhite noise\/pink noise amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLOW-PASS FILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour-pole, resonant, low-pass filter per voice, based on Prophet-5 Rev 4 design\u003c\/li\u003e\n\u003cli\u003eFilter can be driven into self-oscillation with the Resonance control\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eENVELOPES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, auxiliary)\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of each envelope amount\u003c\/li\u003e\n\u003cli\u003eEnvelopes freely assignable to multiple modulation destinations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLOW FREQUENCY OSCILLATOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\n\u003cli\u003eFreely assignable to multiple modulation destinations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eDIGITAL EFFECTS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eOne dedicated reverb with damping, pre-delay, decay and tone\u003c\/li\u003e\n\u003cli\u003eOne multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter\u003c\/li\u003e\n\u003cli\u003eDedicated Overdrive effect\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eVINTAGE KNOB\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eRecreates the characteristics of vintage synthesizers by introducing parameter variations from voice to voice.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAFTERTOUCH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\n\u003cli\u003eAftertouch freely assignable to multiple modulation destinations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCLOCK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\n\u003cli\u003eBPM control and display\u003c\/li\u003e\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eARPEGGIATOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUp, down, up+down, random, assign modes\u003c\/li\u003e\n\u003cli\u003eSyncs to MIDI clock\u003c\/li\u003e\n\u003cli\u003eRe-latching arpeggiation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSEQUENCER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps with ties and rests\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePERFORMANCE CONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFull-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch\u003c\/li\u003e\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls\u003c\/li\u003e\n\u003cli\u003eLow-split mode creates two independent performance zones with different octave ranges\u003c\/li\u003e\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\n\u003cli\u003ePolyphonic glide (portamento)\u003c\/li\u003e\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all five voices, and key modes\u003c\/li\u003e\n\u003cli\u003eFactory switch: when off, the front panel is live; what you see is what you hear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePATCH MEMORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e128 user and 128 factory\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIN\/OUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port\u003c\/li\u003e\n\u003cli\u003eUSB port for bidirectional MIDI communication\u003c\/li\u003e\n\u003cli\u003e1 Sustain\/footswitch input\u003c\/li\u003e\n\u003cli\u003e1 Expression pedal input\u003c\/li\u003e\n\u003cli\u003eMain stereo output (2 x 1\/4″ phone jack)\u003c\/li\u003e\n\u003cli\u003eHeadphone out (stereo 1\/4″ phone jack)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePHYSICAL SPECS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePremium, 3.5-octave, semi-weighted Fatar keyboard\u003c\/li\u003e\n\u003cli\u003e25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)\u003c\/li\u003e\n\u003cli\u003eWeight: 17 lbs (7.7 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":41159686258858,"sku":"","price":1499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/Take-5-Top-scaled.jpg?v=1629762903"},{"product_id":"nlm-euem2-t","title":"NLM - euEM2 T [Buchla Compatible]","description":"\u003cp\u003eThe Eurorack version of the well known Evenmidi pedal controller for midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003eEnhanced ergonomic , upgraded interface elements, custom panels for multiple pedals\u003cbr\u003e Pairs excellently with the Strymon TimeLine by default but controls any midi CC driven unit.\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox Strymon BigSky, TimeLine and more\u003cbr\u003e 10 controls for CV offset\u003cbr\u003e 10 CV inputs to animate those controls\u003cbr\u003e 10 attenuverters to limit the CV positively or negatively\u003cbr\u003e Up to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003e VSTs, external synths and everything else that takes midi in can be controlled directly by the CV of your Eurorack system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":41836047368362,"sku":"","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/euEM2T-1.jpg?v=1639014839"},{"product_id":"nlm-euem2-b","title":"NLM - euEM2 B [Buchla Compatible]","description":"\u003cp\u003eThe Eurorack version of the well known Evenmidi pedal controller for midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003eEnhanced ergonomic , upgraded interface elements, custom panels for multiple pedals\u003cbr\u003e Pairs excellently with the Strymon BigSky by default but controls any midi CC driven unit.\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox, Strymon BigSky,TimeLine and more\u003cbr\u003e 10 controls for CV offset\u003cbr\u003e 10 CV inputs to animate those controls\u003cbr\u003e 10 attenuverters to limit the CV positively or negatively\u003cbr\u003e Up to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003e VSTs, external synths and everything else that takes midi in can be controlled directly by the CV of your Eurorack system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":41836050186410,"sku":"","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/euEM2B.jpg?v=1639014892"},{"product_id":"sequential-ob-6-desktop","title":"Oberheim - OB-6 Desktop","description":"\u003ch3\u003eClassic Oberheim Sound — Made Portable\u003c\/h3\u003e\n\u003cp\u003eThe OB-6® desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.\u003c\/p\u003e\n\u003cp\u003eHow does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world.\u003c\/p\u003e\n\u003cp\u003eWe’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony!\u003c\/p\u003e\n\u003ch3\u003eTwo Legends. One Instrument\u003c\/h3\u003e\n\u003cp\u003eBoth the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003c\/p\u003e\n\u003ch3\u003eVintage SEM Tone\u003c\/h3\u003e\n\u003cp\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003c\/p\u003e\n\u003ch3\u003eX-Mod and Poly Step Sequencing\u003c\/h3\u003e\n\u003cp\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003c\/p\u003e\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\n\u003cp\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003c\/p\u003e\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\n\u003cp\u003eThis analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.\u003c\/p\u003e\n\u003cdiv id=\"tab-specs_tab\" class=\"panel entry-content wc-tab\"\u003e\n\u003cdiv id=\"tab-specs_tab-specs\" class=\"interior-content\"\u003e\n\u003cdiv class=\"model-interior-details\"\u003e\n\u003ch3\u003eOB-6 Desktop Specifications\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eOSCILLATORS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eOscillator detune amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eMIXER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eSTATE-VARIABLE FILTER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFILTER ENVELOPE\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eAMPLIFIER ENVELOPE\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eLOW FREQUENCY OSCILLATOR\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFive wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\n\u003cli\u003eInitial amount\u003c\/li\u003e\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eX-MOD\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eAFTERTOUCH\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eCLOCK\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\n\u003cli\u003eBPM control and display\u003c\/li\u003e\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eARPEGGIATOR\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eSEQUENCER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eEFFECTS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator\u003c\/li\u003e\n\u003cli\u003eDelay sync\u003c\/li\u003e\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePERFORMANCE CONTROLS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\n\u003cli\u003ePolyphonic portamento\u003c\/li\u003e\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes\u003c\/li\u003e\n\u003cli\u003eManual switch: when on, the front panel is live; what you see is what you hear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePATCH MEMORY\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\n\u003cli\u003eDirect program access, including single-button access to the current set of 10 programs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eIN\/OUT\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\n\u003cli\u003eFilter cutoff expression pedal input\u003c\/li\u003e\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePHYSICAL SPECS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e20.75” L x 7.8” W x 4.4″ H (52.0 cm x 19.8 cm x 11.2 cm)\u003c\/li\u003e\n\u003cli\u003e13.0 lbs (5.9 kg)\u003c\/li\u003e\n\u003cli\u003eWalnut end panels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Oberheim","offers":[{"title":"Default Title","offer_id":41928728903850,"sku":"","price":2469.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/sequential_ob-6-desktop-2021_01.jpg?v=1640215152"},{"product_id":"doepfer-a-121s","title":"Doepfer - A-121s","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N3IESj6r7nI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eModule A-121s is a dual multimode filter which can be used for stereo applications as well as for parallel or serial organized dual mono filters. The core is a 12dB multimode filter identical to the modules A-121-2 and A-121-3. The selection of the filter type is continuously from lowpass via notch and highpass to bandpass. We attached great importance to the usability of the manual controls and CV inputs for both stereo and dual mono applications. For the filter parameters frequency (F), resonance (Q) and type (T) common controls and CV inputs as well as single controls and CV inputs are available. For the filter frequency in addition a manual control and CV input for the filter spread (frequency difference or delta F) is available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eF\u003c\/strong\u003e: master frequency control for both filters (large knob)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eType 1 \/ Type 2\u003c\/strong\u003e: filter type panning\/morphing L-N-H-B\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Link to 1\u003c\/strong\u003e: Toggle switch so that Type 1 also controls type of filter 2 (i.e. simultaneous filter type control for both filters)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSFM1 \/ SFM2\u003c\/strong\u003e: Single Frequency Modulation controls (polarizers), connected to the corresponding sockets SFM1\/SFM2 (socket SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1, that way the controls SFM1\/SFM2 work as frequency controls for each filter provided that no modulation signals are patched to the SFM1\/SFM2 sockets)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCFM\u003c\/strong\u003e: common frequency control, controls two VC-polarizers which process the signals connected to the two sockets CFM1\/CFM2, CFM2 is normalled to CFM1, that way also the same modulation signal (e.g. an envelope generator) can be used for both filters and the level controlled simultaneously by the CFM control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Delta F\u003c\/strong\u003e: controls the difference between the frequencies of the two filters manually (frequency \"spread\"), at center position the frequencies are the same\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Delta FM\u003c\/strong\u003e: controls the level of the Delta FM signal (socket), which allows to control the spread between the frequencies also by an external control voltage (e.g. by an LFO or ADSR)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ\u003c\/strong\u003e: controls the resonance of both filters simultaneously\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Level 1 \/ Level 2\u003c\/strong\u003e: attenuators for the two audio inputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e QM\/TM1, QM\/TM2\u003c\/strong\u003e: attenuators for the modulation inputs QM\/TM1 and QM\/TM2 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSockets:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn1 \/ In2\u003c\/strong\u003e: audio inputs (In2 is normalled to In1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOut1 \/ Out2\u003c\/strong\u003e: audio outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eF\u003c\/strong\u003e: common frequency control input for both filters (~ 1V\/oct)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Delta FM\u003c\/strong\u003e: Control voltage for frequency spread, processed by the polarizer Delta FM\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSFM1 \/ SFM2\u003c\/strong\u003e: single frequency modulation inputs, processed by the polarizers SFM1 and SFM2,  SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1#\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCFM1 \/ CFM2\u003c\/strong\u003e: common frequency modulation inputs, processed by the two voltage controlled polarizers controlled by CFM knob, CFM2 is normalled to CFM1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e QM\/TM1, QM\/TM2\u003c\/strong\u003e: the addressing of these sockets\/attenuators is defined by internal jumpers. QM means Q modulation (i.e. resonance modulation), TM means filter type modulation (QM1 = resonance modulation filter 1, QM2 = resonance modulation filter 2, TM1 = filter type modulation filter 1, TM2 = filter type modulation filter 2), socket QM\/TM1 is normalled to a fixed positive voltage, QM\/TM2 is normalled to QM\/TM1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA 45 degrees triangle next to a socket means that the switching contact of the socket is normalled to a fixed positive voltage (SFM1, QM\/TM1).\u003cbr\u003eA vertical triangle indicates the normalling of two sockets (In1\u0026gt;In2, SFM1\u0026gt;SFM2, CFM1\u0026gt;CFM2, QM\/TM1\u0026gt;QM\/TM2).\u003c\/p\u003e\n\u003cp\u003eIf the filters do not behave as expected please pay attention to these peculiarities:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor the controls \u003cstrong\u003eSFM1, SFM2, CFM, Delta F\u003c\/strong\u003e and\u003cstrong\u003e Delta FM\u003c\/strong\u003e the \u003cu\u003ecenter position is the neutral position\u003c\/u\u003e as these are polarizers. If the filter behaves unexpected these controls should be set to center positions for the time beeing. \u003c\/li\u003e\n\u003cli\u003eIn addition the sockets \u003cstrong\u003eSFM1 \u003c\/strong\u003e and\u003cstrong\u003e SFM2\u003c\/strong\u003e are normalled to fixed positive voltages provided that no patch cables are inserted into these sockets. In this case the controls \u003cstrong\u003eSFM1\u003c\/strong\u003e and \u003cstrong\u003eSFM2\u003c\/strong\u003e work as additional individual manual controls for the frequencies of filter 1 and 2 with center positions as neutral positions.\u003c\/li\u003e\n\u003cli\u003eFor the controls \u003cstrong\u003eF, Q, Level 1, Level 2, QM\/TM1\u003c\/strong\u003e und\u003cstrong\u003e QM\/TM2\u003c\/strong\u003e the \u003cu\u003e fully CCW position is the neutral position\u003c\/u\u003e as these are standard attenuators. If the filter behaves unexpected at least the controls \u003cstrong\u003eQM\/TM1\u003c\/strong\u003e and\u003cstrong\u003e QM\/TM2\u003c\/strong\u003e should be set to fully CCW. The reason is that via the normalling of the sockets \u003cstrong\u003eQM\/TM1\u003c\/strong\u003e and \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e the associated controls generate control voltages which are added to the control voltages generated by the main contols (Type 1, Typ 2, Q). Which of these parameters are affected depends upon the settings of the internal jumpers. \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBy means of small circles at the bottom right side of the front panel the user can mark the function of the QM\/TM inputs. These assignments are possible:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls QM1, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls QM2, the filter types are not controlled by external CVs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls TM1, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls TM2, the resonances are not controlled by external CVs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls QM1 and QM2 simultaneously, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls TM1 and TM2 simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo filter\u003c\/strong\u003e: two different audio signals are connected to the audio inputs. At the outputs appear the filtered signals. The filterings depend upon the positions of the manual controls and the applied control voltages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSerial mono filter:\u003c\/strong\u003e the mono signal is applied to audio input 1. Audio output 1 is connected to audio input 2. The filtered mono signal appears at audio output 2. One has to pay attention that the filter parameters are set in a way so that a signal will appear at the output. If for example a lowpass and a highpass are daisy chained the frequency of the lowpass has to be higher than the frequency of the highpass. Otherwise no signal will appear at the output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eParallel mono filter:\u003c\/strong\u003e the audio signal is fed to both audio inputs (e.g. via the normalled sockets In1\u0026gt;In2). By means of a mixer module the audio outputs 1 and 2 are mixed.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":43496969863338,"sku":"","price":328.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/doepfer_a-121-s_01.jpg?v=1663895619"},{"product_id":"nlm-2sa-200-series","title":"NLM - 2SA Space Arcade [Buchla Compatible]","description":"\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eA new take of the edgy, arcane, harsh and pumping pulse wave synth called “Edges” made once by Mutable Instruments\u003c\/p\u003e\n\u003cp\u003eThe 2AS at its core provides 4 fully CV-controlled 8-BIT chiptune style voices.\u003cbr\u003eEach voice has a pitch CV input , a gate , audio FM and a coarse pitch knob.\u003cbr\u003eThere is hard sync from 1to2 and ring mod from 1to2 and 1to3 available\u003cbr\u003eVoice 4 is a digital pseudo random noise generator\u003cbr\u003eAll outs are being summed in a diode clipper distortion stage and are limited to 1.7V\u003c\/p\u003e\n\u003cp\u003eAnd for the extra level of Space feeling we put in a powerful effect engine providing Reverb, Delay , a low pass filter and bitcrushing.\u003cbr\u003eThis engine is our first endeavor into the Daisy ecosystem and will only grow over time.\u003c\/p\u003e\n\u003cp\u003eWe also added Midi IN to play each voice with external keyboards or sequencers.\u003c\/p\u003e\n\u003cp\u003eMIDI Learn: Press this button and send a midi note. The device will use that channel as the base channel\u003cbr\u003eMIDI Mode: This button cycles between four operational modes.\u003c\/p\u003e\n\u003cp\u003e1. 4 single voices trigger on 4 midi channels starting on the base MIDI channel\u003cbr\u003e2. Full Poly mode where each voice plays on a different note on the same midi channel\u003cbr\u003e3. Limited Poly or Chord mode where only the first three voices are used\u003cbr\u003e4. UNISON .. all four voices play a monophonic but brutal crescendo\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":44061912858794,"sku":"","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/2AS.1.2.1-1.jpg?v=1668738646"},{"product_id":"synamodec-synadrone","title":"Synamodec - Synadrone","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QKhZ0zGirKo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSYNADRONE\u003c\/p\u003e\n\u003cp\u003eThe Synadrone consists in four combined oscillators that create powerful and and organic sounds.\u003cbr\u003eThe mix of the four oscillators as well as their arrangement can be varied by acting on the switches. Oscillators modulate each other in a complex way, but you can control the results of this modulation manually with the pots.\u003cbr\u003eThe oscillation section includes after the oscillation section a low pass filter with cutoff and resonance controls.\u003cbr\u003eCutoff and resonance allow to change from very powerful and “full” bass sounds to delicate and very refined highs.\u003cbr\u003eIt has the option to send the filter output signal to a delay, with repeat and level controls.\u003cbr\u003eThe Synadrone also incorporates a built-in lfo with rate and level controls to modulate the delay time.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003eThe synadrone is a compact synthesizer suited for ambient sounds, noise, textures and drones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower supply +9v (center Positive)\u003c\/li\u003e\n\u003cli\u003eOutput Minijack Mono\u003c\/li\u003e\n\u003cli\u003e4 OSCILLATORS\u003c\/li\u003e\n\u003cli\u003e4 MODULATIONS\u003c\/li\u003e\n\u003cli\u003eFILTER – CUTOFF-RESONANCE\u003c\/li\u003e\n\u003cli\u003eLFO\u003c\/li\u003e\n\u003cli\u003eANALOG DELAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Synamodec","offers":[{"title":"Default Title","offer_id":44344672321706,"sku":"","price":305.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/IMG_5973.jpg?v=1675370462"},{"product_id":"synamodec-astrogorus","title":"Synamodec - Astrogorus","description":"\u003cp\u003eASTROGORUS\u003c\/p\u003e\n\u003cp\u003eAstrogorus is an standalone compact synthesizer focused to harsh noise and drones. Huge sound with infinte possibilities. Easy to operate and built into alluminium case.\u003c\/p\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003eDesktop analog synth for noise, experimentation and drone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree independent oscillators with rate control.\u003c\/li\u003e\n\u003cli\u003eAdditional oscillator sum of the three previous ones plus noise\u003c\/li\u003e\n\u003cli\u003eMixer for the oscillators \u0026amp; noise\u003c\/li\u003e\n\u003cli\u003eSix controls to select the type of noise on the fourth oscillator\u003c\/li\u003e\n\u003cli\u003eHarmonic section with six band filter \/ eq\u003c\/li\u003e\n\u003cli\u003eFeedback and level control\u003c\/li\u003e\n\u003cli\u003eDistortion with level and feedback\u003c\/li\u003e\n\u003cli\u003eTwo band tone control\u003c\/li\u003e\n\u003cli\u003eExternal Power Supply included (24 v positive to the center)\u003c\/li\u003e\n\u003cli\u003e1\/4 “mono jack output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Synamodec","offers":[{"title":"Default Title","offer_id":44344674681002,"sku":"","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/4fc9153d-c3c4-48da-84ec-8269743fe270.jpg?v=1675370290"},{"product_id":"error-instruments-broken-tape-simulator","title":"Error Instruments - Broken Tape Simulator Mk3","description":"\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eError Instruments - Broken Tape Simulator\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CYQpXquLbMc?si=oLoTpC0w5z_BJt1d\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Broken Tape Simulator BenT MK3 is the latest version inspired by circuit bent sounds, offering a unique blend of lo-fi, glitch, delay, and tape effects. This standalone tabletop unit is designed to simulate the sound of a broken tape recorder, allowing you to control pitch and bit rate for a compressed audio sound with lo-fi feedback.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe speed and movement of the sensor can be controlled by a switch, or with a CV input for further manipulation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNew high-quality switches and additional options like wet\/dry controls and an attenuator for control voltage make the BenT MK3 a versatile tool for creating experimental sounds. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhether you're using it in a eurorack setup or with Korg Volcas, this unit offers a wide range of sonic possibilities. Simply plug in, adjust the knobs for different effects, and experiment with the sensor and CV input to create unique textures and tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe BenT MK3 comes with a power cable, bat clip for 9V battery operation, and is ready to take your music to new heights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBe sure to check out the demonstration video below to see the Broken Tape Simulator in action.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2rvOkusiSQs?si=KaerEzMYBpRkeuGO\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":45006127825066,"sku":"","price":235.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/brokentapemk32.jpg?v=1731361011"},{"product_id":"doepfer-101-8v","title":"Doepfer - A-101-8V","description":"\u003ch1\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cstrong\u003eA-101-8\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a 8-stage phase shifter which uses light-sensitive resistors (LDR) and is a replica of the Compact Phasing A manufactured by the company Schulte in the seventies. The actual phasing circuit is identical to the historic model. Only the illumination control of the LDRs is different: the A-101-8 uses LEDs to illuminate the LDRs, the historic model used incandescent miniature lamps. And the A-101-8 has no built-in LFO but can be controlled by any external control voltage source (e.g. LFO, ADSR, random, Theremin, ribbon controller, sequencer, midi). The phasing offset (i.e. the base value for the phase shifting) and the modulation depth of the external control signal can be adjusted separately. The Compact Phasing A had no offset control but only a depth control for the built-in LFO. Feedback and mixing ratio of the output signal are set by two controls. The audio input is equipped with an attenuator. The module has two audio outputs available (same as the historic model) and a visual display of the phase shifting.\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":45027808313514,"sku":"","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/101-8V.png?v=1707512840"},{"product_id":"synthetic-sound-labs-modulation-orgy-lfo-model-226","title":"Synthetic Sound Labs - Modulation Orgy LFO – Model 2261 Black","description":"\u003ch1\u003e\u003cstrong\u003eSynthetic Sound Labs - Modulation Orgy LFO – Model 226\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eThe 2261 Modulation Orgy is a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility.  It features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion.\u003c\/p\u003e\n\u003cp\u003eEight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random with morphing between adjacent waves.  Waveforms may be further modified using the Wave Distort controls.\u003c\/p\u003e\n\u003cp\u003eAvailable with black or silver panels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJust over 10 years after the release of our original 2260 Modulation Orgy LFO, Synthetic Sound Labs have an \u003cb\u003e\u003cstrong\u003eupdated\u003c\/strong\u003e\u003c\/b\u003e and \u003cb\u003e\u003cstrong\u003eimproved\u003c\/strong\u003e\u003c\/b\u003e version.\u003c\/p\u003e\n\u003cp\u003eThe new \u003cb\u003e\u003cstrong\u003e2261 Modulation Orgy\u003c\/strong\u003e\u003c\/b\u003e has completely reimagined firmware that includes improvements such as waveform morphing and random wave slew. The new module width is now only 8 HP (half the width of its 16 HP predecessor) and is available with either black or silver faced panels.\u003c\/p\u003e\n\u003cp\u003eThe 2261 can produce 8 morphing waveforms, including a random (sample \u0026amp; hold) wave with variable slew.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt also includes a tempo multiplier. This is combined with the tapped tempo to allow the LFO frequency to be set at a multiple of the tapped rate. The available multipliers are 0.5, 1, 1.5, 2, 3, and 4. This allows half- and double-time, and triplet times.\u003c\/p\u003e\n\u003cp\u003eThe LFO tempo, multiplier, waveform selection, wave distortion, and output level are all voltage-controlled.\u003c\/p\u003e\n\u003cp\u003eThe LEVEL CV input responds linearly to 0 to +5V and is normalled to +5V so that with no input, the 2261 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage controlled modulation depth.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe SYNC input can accept clock pulses from other equipment, which allows the 2261 to be synchronized to other devices. A CLOCK OUT which can be used to drive other equipment, allowing a tap-tempo controlled clock for an analog sequencer or drum machine, for example. A phase reset on the first tap to the tap tempo input allows you to keep the LFO on the beat with a single tap.\u003c\/p\u003e\n\u003cp\u003eIn all, we think you’ll find the 2261 Modulation Orgy to be the most fun you’ve ever had with a LFO!  More fun than a barrel of monkeys.\u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":45134571569322,"sku":"","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/2261-Modulation-Orgy-Front-Black-800x251-1.png?v=1696986682"},{"product_id":"copy-of-synthetic-sound-labs-modulation-orgy-lfo-model-226-silver","title":"Synthetic Sound Labs - Modulation Orgy LFO – Model 2261 Silver","description":"\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSynthetic Sound Labs - Modulation Orgy LFO – Model 226\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 2261 Modulation Orgy is a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility.  It features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random with morphing between adjacent waves.  Waveforms may be further modified using the Wave Distort controls.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAvailable with black or silver panels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJust over 10 years after the release of our original 2260 Modulation Orgy LFO, Synthetic Sound Labs have an \u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eupdated\u003c\/strong\u003e\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eimproved\u003c\/strong\u003e\u003c\/b\u003e version.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new \u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2261 Modulation Orgy\u003c\/strong\u003e\u003c\/b\u003e has completely reimagined firmware that includes improvements such as waveform morphing and random wave slew. The new module width is now only 8 HP (half the width of its 16 HP predecessor) and is available with either black or silver faced panels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 2261 can produce 8 morphing waveforms, including a random (sample \u0026amp; hold) wave with variable slew.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt also includes a tempo multiplier. This is combined with the tapped tempo to allow the LFO frequency to be set at a multiple of the tapped rate. The available multipliers are 0.5, 1, 1.5, 2, 3, and 4. This allows half- and double-time, and triplet times.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe LFO tempo, multiplier, waveform selection, wave distortion, and output level are all voltage-controlled.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe LEVEL CV input responds linearly to 0 to +5V and is normalled to +5V so that with no input, the 2261 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage controlled modulation depth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe SYNC input can accept clock pulses from other equipment, which allows the 2261 to be synchronized to other devices. A CLOCK OUT which can be used to drive other equipment, allowing a tap-tempo controlled clock for an analog sequencer or drum machine, for example. A phase reset on the first tap to the tap tempo input allows you to keep the LFO on the beat with a single tap.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn all, we think you’ll find the 2261 Modulation Orgy to be the most fun you’ve ever had with a LFO!  More fun than a barrel of monkeys.\u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":45134574092458,"sku":null,"price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/modOrgy.png?v=1707520553"},{"product_id":"erica-synths-hexinverter-vcno","title":"Hexinverter - VCNO","description":"\u003cdiv class=\"article-body mt-3\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qHPSP1lg1Fs?si=UXQQa4nSFJxrJHtl\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3\"\u003eVCNO is a noise oscillator, capable of producing full spectrum white noise and various random signals. But that’s where its similarity to other noise generators stops. VCNO can be used like a VCO – you can modulate the pitch over CV and use its multiple outputs simultaneously, each with a distinct sonic character. As well, you can patch it into a VCA or use it to modulate and trigger other elements in your modular system.\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3 mb-3\"\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNOISE is the main LFSR output. With the pitch knob turned fully clockwise this will output pure white noise. As you turn the pitch down, the noise evolves into crunchy noise, reminiscent of vintage video game sounds\u003c\/li\u003e\n\u003cli\u003eGATE is a DC-coupled output. This is perfect for supplying random triggers in your system\u003c\/li\u003e\n\u003cli\u003eSCREECH features a dark, howling overtone to the main NOISE output\u003c\/li\u003e\n\u003cli\u003eSIZZLE features a related control, which takes the output from pure white noise when turned fully clockwise to a vinyl-like crackle when turned anti-clockwise\u003c\/li\u003e\n\u003cli\u003eTEAR sounds like the noise generator is broken and tearing itself apart\u003c\/li\u003e\n\u003cli\u003eAll outputs work simultaneously and are simultaneously affected by the pitch knob or CV\u003c\/li\u003e\n\u003cli\u003eThe frequency of VCNO can be modulated via CV – just patch any CV signal into this jack\u003c\/li\u003e\n\u003cli\u003eA clock signal input bypasses the internal frequency generator. You can apply a clock from a trigger sequencer to create a pseudorandom drum trigger pattern synced to the rest of your drums.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Hexinverter","offers":[{"title":"Default Title","offer_id":45223311737002,"sku":"","price":210.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/VCNO-Webshop.jpg.840x560_q85_smart.jpg?v=1700599600"},{"product_id":"pittsburgh-modular-generator-x-nos","title":"Pittsburgh Modular- Generator X [NOS]","description":"\u003cp\u003eThis is a limited edition combination of the Generator \u0026amp; GenXpander\u003cbr\u003e\u003cbr\u003eNew old stock, brand new in box\u003cspan style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_40_1481139293191_7818\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003ch2 style=\"white-space: pre-wrap;\"\u003eGenerator\u003c\/h2\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e[No Longer In Production]\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eDual Oscillator FM Monster\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eA dual oscillator built around two triangle core, wide range, periodic waveform generators. As a multipurpose signal generator, it can provide the basis of a wide range of complex sounds ideal for tuned percussion\/noise, abrasive amplitude, frequency and timbral modulation. Tones, drones, textures, and  drums to atonal, nintendo zipper\/fart noises. This module was made for FM madness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eGenXpander\u003c\/h2\u003e\n\u003cp\u003e[No Longer In Production]\u003c\/p\u003e\n\u003cp id=\"yui_3_17_2_1_1701285822445_257\"\u003eWaveshaper \/ Wavemangler Expander Module for the Generator\u003c\/p\u003e\n\u003cp\u003eThe GenXpander is an expander module for the \u003ca href=\"https:\/\/pittsburghmodular.com\/generator\"\u003eGenerator\u003c\/a\u003e.  It adds standard waveform outuputs, internal FM waveform selection, and extensive waveshaping capabilities to the Generator module.\u003c\/p\u003e\n\u003cp\u003eThe GenXpander has 4 separate sections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWaveshaper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe waveshaper circuit uses a triangle wave and square wave from one or both of the oscillators on the Generator module to create a saw wave and a pulse wave.  Attenuated CV control of the pulsewidth and saw shape is available.  A switch for the triangle wave and a switch for the square wave determine which oscillator the seed waveforms are taken from.\u003c\/p\u003e\n\u003cp\u003eSelecting the same oscillator for both triangle and square will provide a clean saw wave.  Selecting different oscillators for the triangle and square waves will provide a very interesting modulating, saw-triangle-square type waveform.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFM Wave Switch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDetermines the waveform used by oscillator 1 (GEN1) to internally modulate oscillator 2 (GEN2).  The Generator ships with the internal FM set to the variable waveform.  The switch allows the frequency modulation waveform to be changed to a triangle wave. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Waveform Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeparate triangle and square wave outputs for both oscillator 1 (GEN1) and oscillator 2 (GEN2)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBAD Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn odd\/even harmonic detector, frequency mixer \u0026amp; waveshaper.  It inverts the polarity of the triangle waves based on the frequency relationship between oscillator 1 (GEN1) and oscillator 2 (GEN2).\u003c\/p\u003e\n\u003cp\u003eOE Output:\u003c\/p\u003e\n\u003cp\u003eRegular polarity oscillator 1 triangle if the difference between oscillator 1 (GEN1) and oscillator 2 (GEN2) is an even number.  \u003c\/p\u003e\n\u003cp\u003eInverted polarity \u003c\/p\u003e\n\u003cp\u003eoscillator 1 triangle\u003c\/p\u003e\n\u003cp\u003e if the difference between \u003c\/p\u003e\n\u003cp\u003eoscillator 1 (GEN1) and oscillator 2 (GEN2) \u003c\/p\u003e\n\u003cp\u003eis an odd number.\u003c\/p\u003e\n\u003cp\u003eDIF output:\u003c\/p\u003e\n\u003cp\u003ePolarity of oscillator 2 triangle is changed at a frequency equal to the difference between oscillator 1 (GEN1) and oscillator 2 (GEN2).  If \u003c\/p\u003e\n\u003cp\u003eoscillator 1 (GEN1) and oscillator 2 (GEN2)\u003c\/p\u003e\n\u003cp\u003e are the exact same frequency then the DIF output is the same as the oscillator 2 triangle output.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":45242666778794,"sku":"","price":409.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Screenshot2023-11-29at11-28-45PittsburghModularGeneratorX.png?v=1701286125"},{"product_id":"liquid-sky-d-vices-v4co","title":"Liquid Sky d-vices - V4CO","description":"\u003cp\u003eV4CO is a bad ass unique 8bit wavetable oscillator plus subbass plus overdrive plus vca\u003c\/p\u003e\n\u003cp\u003eso the V4CO is basically 3 modules in one\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NB0-yOuo7CM?si=5Ym9o0RfbfBZO_K3\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan size=\"5\"\u003eThe\u003c\/span\u003e\u003cspan size=\"6\"\u003e \u003cstrong\u003eV4CO\u003c\/strong\u003e\u003c\/span\u003e\u003cspan size=\"5\"\u003e is designed by analog synth wizard Matthias Beese (MMS \/ Liquid Sky artistcollective) and remixed by Thilo Goldschmitz (Liquid Sky artistcollective).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan size=\"5\"\u003eGLITHc\u003c\/span\u003e\u003c\/strong\u003e\u003cspan size=\"5\"\u003e is designed by Thilo Goldschmitz.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan size=\"5\"\u003eThe V4CO and GLITHc are part of the\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan size=\"5\"\u003eLiquid Sky d-vices UFO SYSTEM\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Liquid Sky D-Vices","offers":[{"title":"Default Title","offer_id":45351036387498,"sku":"","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/v4co.png?v=1703810380"},{"product_id":"pittsburgh-modular-vilfo","title":"Pittsburgh Modular - VILFO","description":"\u003cp\u003eBrand new, old stock (N.O.S.) Pittsburgh VILFO. Last one!\u003c\/p\u003e\n\u003cp\u003eCreating chaos out of designs from the past, Pittsburgh Modular is building a uniquely skewed vision of modular synthesis. Pittsburgh modules are handmade with the look of 1950′s science fiction laboratory equipment using bold components and unique layouts to promote interaction and experimentation. Fresh ideas in modern analog circuitry are used to create new, interesting, and strangely musical tones.\u003cbr\u003e\u003cbr\u003eThe ViLFO (Voltage Influenced LFO) is unique in the modular world. It is a strange, triangle based LFO that lives in an 8hp euro panel. The module offers two outputs, a triangle wave, and a variable waveform that shifts from a triangle to something that is almost not completely a square wave. The VILFO also includes a Voltage Influence CV input and a fine tune knob. The influence allows the incoming CV to mingle with the LFO waveforms in bizarre ways creating unique modulations and patterns.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":45535658770602,"sku":"","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/VILFO.jpg?v=1709251447"},{"product_id":"gieskes-vc122","title":"Gieskes - VC122","description":"\u003cpre\u003eVC122\n\n::ABOUT\nlinear DC motor driver for low power motors, with linear i mean it does not use PWM to drive the motor, this prevents noise. i have used this circuit over many years and found it to be useful for driving low power dc motors.\nit has build in over current protection, hold current is 250ma (means the fuse is rated for 250ma), trip current is 500ma (it means the maximum current for the fuse to trip is 500ma). \nthe fuse is a PTC fuse, this means it will reset by cooling down. so if it trips, you can turn the pots to the left (down) wait a few seconds and turn the pot up a again.\n\n::CONNECTION\n\ncontrols:\n- maine adjust, sets the voltage. and shifts the cv input voltage up and down. \n- cv input volume control, if no external voltage in is connected it sets the offset to ground for the dc motor, basically it sets the lowest point the motor starts to rotate at.\n\ninputs:\n- cv in vor output voltage.\n\noutputs:\n- DC output for the motor.\n\npower:\n- +12v between 20ma and 500ma depending on usage.\n- -12v not used.\u003c\/pre\u003e","brand":"Gieskes","offers":[{"title":"Default Title","offer_id":45582578450602,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/vc122.jpg?v=1709860670"},{"product_id":"synthetic-sound-labs-rockdrum-1","title":"Synthetic Sound Labs - Rockdrum-1","description":"\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRockDrum-1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003econtains 6 wonderfully crunchy, fully polyphonic “Lo-Fi” digital drumkit samples in just 12 HP.  Samples include: Bass, Snare, Closed High Hat, Tom, Short Ride Cymbal, and (of course) Cowbell.\u003c\/p\u003e\n\u003cp\u003eIt has separate trigger inputs and audio outputs for each of its 6 voices, and individual level controls to a convenient mixer output.  Separate tune controls can change playback rates all the way down to crunchy and zero – including reverse playback.\u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":45716708098218,"sku":"","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/sslRockdrum.jpg?v=1711484991"},{"product_id":"error-instruments-singularity","title":"Error Instruments - Singularity","description":"Singularity Eurorack Active\/Passive Drum Synthesizer:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExploring Unique Sounds and Versatility Introduction: The Singularity Eurorack Active\/Passive Drum\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSynthesizer is an innovative and versatile musical instrument that offers a wide range of unique sounds. This article will delve into the workings of this extraordinary device, highlighting its active and passive capabilities, as well as its modular components and color options.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. The Divider Matrix: Bridging Inputs and Outputs The Singularity Eurorack features a divider matrix that serves as a bridge between inputs and outputs. By connecting the matrix to the mixer, users can generate captivating sounds. Additionally, the matrix allows for the integration of controlled voltage or triggers, enabling users to manipulate and mix sounds, adding complexity to their compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2. Power Potential Meter: Active, Passive, or In-Between A crucial component of the Singularity Eurorack is the power potential meter. This meter determines whether the device operates in an active, passive, or hybrid state. As a passive drum machine, it provides a traditional drumming experience, while as an experimental noise oscillator, it offers a unique and unconventional sonic palette. The ability to incorporate control voltage through the CV input under the potential meter further expands the creative possibilities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3. The Mix Part: Enhancing Playability To optimize playability, the Singularity Eurorack includes a mix part. When using the top output, it is essential to route all signals through the mix inputs. Three of the inputs are always open, while the fourth requires manual activation via a switch. This feature adds a layer of control and versatility, allowing users to shape and refine their compositions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4. Capacitor Bank: Customizable Soundscapes One of the standout features of the Singularity Eurorack is the capacitor bank. Consisting of two banks with interchangeable compartments, this component allows users to experiment with different capacitors, LEDs, or sensors. By altering the filling of the capacitors, users can significantly influence the resulting sounds, akin to the sequencing capabilities found in devices like the Ciat Rollz 5 or NooN drum synthesizer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e5. LPG Out and Audio\/Control Voltage Outputs Located at the top of the module, the Singularity Eurorack features an LPG out for drum synthesis purposes. Additionally, there is an audio output connected to the mixer, providing the final mixed sound. Moreover, a controlled voltage output is available, mirroring the audio output but without any filtering, offering further flexibility in sound generation. Conclusion: The Singularity Eurorack Active\/Passive Drum Synthesizer is a remarkable instrument that pushes the boundaries of sound creation. With its divider matrix, power potential meter, mix part, capacitor bank, and various outputs, it offers a wealth of possibilities for musicians and sound enthusiasts. Whether you seek traditional drum machine sounds, experimental noise oscillations, or something in between, this module delivers. With its modular design and customizable options, the Singularity Eurorack opens up a world of sonic exploration. \u003cbr\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":45788581429418,"sku":"","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/1bd160291cc46520e0c9874ffe9673be378b5c59.jpg?v=1713222311"},{"product_id":"error-instruments-sound-scaper-4cv","title":"Error Instruments - Sound Scaper 4CV","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/M1mpuNh02ws?si=I_8UI_WBQ1bgyNj6\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're looking for a powerful and versatile sound module, the Soundscaper in Eurorack may be just what you need. This experimental soundscape voice is designed to create different layers of harmony in metallic noise mixed with deep drones, flowing by an internal low-frequency oscillator. It's perfect for creating ambient soundscapes or micro drum sounds that will set your music apart.\u003c\/p\u003e\n\u003cp\u003eThe new Soundscaper has four control voltage inputs, which means that every parameter can be controlled by one control voltage. This gives you even more control over the sound and allows you to create complex and dynamic music. The Soundscaper is inspired by some of the most innovative artists in the industry, including Alva Noto, Ryoji Ikeda, and Brian Eno. These artists are known for their use of small or micro sounds to create unique and memorable music. With the Soundscaper, you can take inspiration from these artists and create your own unique soundscapes.\u003c\/p\u003e\n\u003cp\u003eIn addition to its unique sound and advanced control options, the Soundscaper is also compact and skiff-friendly in size. This makes it easy to incorporate into your existing music production setup without taking up too much space. In conclusion, the Soundscaper in Eurorack is a powerful and versatile tool for music production. With its advanced control options, unique sound, and compact size, it's the perfect addition to any music production setup.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":45788589097130,"sku":"","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/b3ce931c9cd93c6d253a384ddaeaa71126d0a98b.jpg?v=1713222618"},{"product_id":"error-instruments-passive-operator-desktop","title":"Error Instruments - Passive Operator [Desktop]","description":"The Passive Operator is a one-of-a-kind drum synthesizer that operates without the need for an external power supply.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstead, it relies on triggers, gates, and Control Voltage (CV) signals, making it compatible with Eurorack modular systems or standalone setups.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDeveloped as part of the Tropical Noise platform, this drum synthesizer offers experimental sounds and a truly unique sonic experience. In this article, we will explore the features and capabilities of the Passive Operator, highlighting its design, functionality, and the potential for creative sound manipulation. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Design and Construction: The Passive Operator is housed in a sturdy bricky format box made of solid aluminum. Its robust construction ensures durability and reliability, making it suitable for both studio and live performances. The device features different compartments, each serving a specific purpose in shaping the sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2. Input Compartments: The Passive Operator boasts two input compartments, labeled \"WTF in 2x.\" These inputs are located on the left side of the device and accept CV, gate, trigger, and even audio signals. The sensitivity of these inputs allows for precise control and modulation, enabling users to create intricate rhythmic patterns and dynamic soundscapes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3. Mix Compartment: The mix compartment serves as a central hub for signal routing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy connecting the mix output to the matrix, users can explore various combinations of triggers and CV signals, resulting in unique rhythms and tonal variations. The mix compartment enhances the versatility of the Passive Operator, allowing for seamless integration with other modular gear or audio equipment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4. Patch Matrix in and Outputs: The patch matrix provides multiple outputs for triggers and Control Voltage, expanding the creative possibilities of the Passive Operator. Users can experiment with different patching configurations, both internally within the matrix and externally to other jacks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdditionally, the matrix offers control over the potentiometers, enabling users to fine-tune their sound by finding sweet spots and manipulating the tonal characteristics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e5. Customization and Expansion: One notable feature of the Passive Operator is its ability to accommodate electronic components. This unique design aspect allows users to swap out components, effectively changing the sound characteristics of the device.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFurthermore, the addition of a touchpad offers an alternative control method, enabling users to interact with the synthesizer using their fingers, adding a tactile and expressive dimension to their performances. Conclusion: The Passive Operator is a remarkable drum synthesizer that defies convention by operating without the need for external power. Its unique design, experimental sounds, and versatile functionality make it a standout option for musicians and sound enthusiasts. The combination of triggers, gates, and Control Voltage signals opens up a world of creative possibilities, allowing users to sculpt their own unique rhythms and tones.","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":45788674425002,"sku":"","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/c0ae976b0b786879369344bdfe27026c11cd6da7.jpg?v=1713225543"},{"product_id":"northern-lights-modular-hdm-dogmatrix95","title":"Northern Lights Modular - HDM DogmaTrix'95","description":"\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eForm follows function\u003ca title=\"Help:IPA\/Danish\" href=\"https:\/\/da.wikipedia.org\/wiki\/Dogme95\"\u003e\u003c\/a\u003e\u003cbr\u003eNo lights, switches or buttons have been harmed in the construction of this.\u003c\/p\u003e\n\u003cp\u003eA compact 6-in\/9-out mix matrix and triple buffer-inverter in h size\u003c\/p\u003e\n\u003cp\u003eThe CV part consists of three pitch accurate buffers where OUT equals IN.\u003cbr\u003eIt also sports an inverter that is tied to 10V when its inputis left unconnected.\u003cbr\u003eA voltage summer of two of the inputs in the lower right corner completes the CV section.\u003c\/p\u003e\n\u003cp\u003eIn the audio section we implemented 6 inputs in two 2 groups that are normaled.\u003cbr\u003eInputs A(1) gets copied to B(2) and C(3) as long as they are left open.\u003cbr\u003eThe signals are then buffered and presented as 1to1 copies on the outputs in the same row or column.\u003cbr\u003eOn cross sections the two inputs will be mixed together in equal intensity\/\u003cbr\u003e9 outputs are available to produce all sorts of combined audio signals.\u003cbr\u003eOutputs can be wired back into inputs to allow even more mixing and summing tricks.\u003c\/p\u003e\n\u003cp\u003eThe h series modules require a h bracket to be mounted in a 1U space\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":45804021383338,"sku":"","price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/hDM.1.3.1.jpg?v=1713557298"},{"product_id":"synthetic-sound-labs-segwencer-2521","title":"Synthetic Sound Labs - Model 2521 Segwencer","description":"\u003cp\u003eThe SSL 2521 Segwencer™ 2.0 Euro module is an updated version of our popular 2520 with improved circuitry, simple panel graphics and only 8 HP width – and is indeed in a class of its own. The name derives from the audio term “segue” (fading from one sound to another), and the synth term “sequence” (moving from one point \/ sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBefore we go any further, a bit of explanation is probably in order. If you know a bit about pipe organ history, you know that a “crescendo” pedal is not a simple volume control. Pipe organs can control volume by opening and closing louvers in front of the pipes (called “swell”), but can’t really control brightness \/ timbre. A crescendo can add the perception of brightness and impact by adding more “ranks”. This is typically done with a separate pedal that the artist moves forward to bring in brighter and louder sounds. On a pipe organ, the mechanics of this are fairly straight-forward but technically complex. As the artist goes from soft to loud with the crescendo pedal, several “switches” are sequentially engaged. Each successive switch causes a new pipe rank to sound, therefore it becomes increasingly fuller with each stage of the crescendo pedal.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSo, what is the SSL Segwencer? In a typical Voltage Controlled studio environment, a control voltage is fed to the “Depth” input which (through an on-board attenuator) controls which of the four Segwencer channels is active based on the input voltage. Each channel of the Segwencer has a separate built in VCA (DC coupled!) input and output, as well as a convenient Mix output that can frequently save a mixer.\u003c\/p\u003e\n\u003cp\u003eBy this description, you might think that the Segwencer harshly “switches” from channel to channel – which is not in itself a bad thing. Here is where the Segwencer really shines.\u003c\/p\u003e\n\u003cp\u003eThe Segwencer has a “Width” panel control that literally softens the progressive transitions between the channels. So YOU have complete control over the transition of the “switch” point between the channels, and the “softness” of how that channel switches. Really cool!\u003c\/p\u003e\n\u003cp\u003eObviously, using a voltage pedal could emulate the actions of a crescendo pedal, but how about feeding the Depth input with an envelope generator? What about an LFO, or even keyboard velocity voltages. And since the VCAs are DC coupled, imagine possibilities of Segwencing control voltages, or even CVs AND audio in the same segwence? The combinations are staggering.\u003c\/p\u003e\n\u003cp\u003eImagine taking each basic waveform from a VCO into each input of the Segwencer and having the Segwencer smoothly blend the waves? Or how about a sine wave into channel “A” out to a audio mixer, an LFO into channel “B” out to the VCOs CV input, and a wavefolded sine into channel “C” out to the audio mixer? Result: Sine, to FM modulated sine, to distorted sine.\u003c\/p\u003e\n\u003cp\u003eThe VCA inputs are conveniently normalized, so – How about a voltage controlled quad panner with each output going to a separate speaker? Or maybe three or four VCOs in a musical chord (or dischord if that floats your boat), each into a separate Segwencer input, with the Segwencer “Mix” output as audio? Result: Think about it.\u003c\/p\u003e\n\u003cp\u003eYou’ll probably find youself using at least one Segwencer for just about every patch!\u003c\/p\u003e\n\u003cp\u003e\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-193\" src=\"https:\/\/steamsynth.com\/wp-content\/uploads\/Sewencer-diagram.png\" alt=\"Sewencer-diagram\" width=\"620\" height=\"470\" srcset=\"https:\/\/steamsynth.com\/wp-content\/uploads\/Sewencer-diagram.png 620w, https:\/\/steamsynth.com\/wp-content\/uploads\/Sewencer-diagram-400x303.png 400w\" sizes=\"(max-width: 620px) 100vw, 620px\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":45927404863658,"sku":"","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/seqwencer.jpg?v=1715712817"},{"product_id":"coming-soon-oberheim-teo-5-analog-synthesizer","title":"Oberheim - TEO-5 Analog Synthesizer","description":"\u003ch1 class=\"p1\"\u003e\u003cb\u003eOberheim TEO-5 Analog Synthesizer\u003c\/b\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cb\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W1W2K4IrOTQ?si=JwbiAEj3SW19v3C2\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eOSCILLATORS\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e5-Voice VCO\/VCF-based polysynth \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e2x VCOs and sub oscillator per voice \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eSimultaneously selectable waveshapes for each oscillator: triangle, saw, variable pulse \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOscillator 1 syncs to Oscillator 2 \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eDedicated front-panel X-Mod control for through-zero FM \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eSwitchable key tracking per oscillator \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eWhite noise generator accessible in pre-filter mixer \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSTATE VARIABLE FILTER\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eClassic SEM filter with selectable Band-Pass mode \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eState knob continuously morphs from Low-Pass through Notch to High-Pass \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBi-polar filter envelope amount \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eVelocity modulation of envelope amount \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eKeyboard tracking \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eFILTER ENVELOPE\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFive-stage (DADSR) envelope generator \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eVelocity modulation of envelope amount \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFreely assignable modulation destinations \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eAMPLIFIER ENVELOPE\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFive-stage (DADSR) envelope generator \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eVelocity modulation of envelope amount \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e2 LOW FREQUENCY OSCILLATORS\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold) \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eLFO tempo sync \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eInitial amount setting \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFreely assignable modulation destinations \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVINTAGE KNOB\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRecreates vintage synth characteristics by adding voice-to voice variations in component behavior \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eAFTERTOUCH\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eChannel (mono) aftertouch with bi-polar amount \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFreely assignable modulation destinations \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCLOCK\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMaster clock with tap tempo \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBPM control and display \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMIDI clock sync \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eARPEGGIATOR\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOne, two, or three octave range \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eUp, down, up\/down, random, and assign modes \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eSEQUENCER\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003ePolyphonic step sequencer with up to 64 steps, including ties and rests \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eEFFECTS\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOne dedicated reverb with damping, pre-delay, decay and tone \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOne multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, Oberheim phase shifter and ring modulator emulations, vintage rotating speaker, distortion, high-pass filter and Lo-Fi\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eDedicated Overdrive effect \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003ePERFORMANCE CONTROLS\u003c\/b\u003e \u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eFull-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eSpring-loaded pitch wheel with independently adjustable upper and lower pitch wheel range selectable per program  \u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eLow-split mode creates two independent performance zones with different octave ranges \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eWhat’s In The Box\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOberheim TEO-5\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e1 x IEC cable\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuick start guide\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e1 Year Warranty\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOberheim warrants that the TEO-5 will be free from defects in materials and\/or workmanship for 1 year from the date of purchase.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eThe Oberheim Legacy is Yours: Enter TEO-5 \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThomas Elroy Oberheim. TEO. More than his initials, they mark the culmination of a synth pioneer's vision. TEO-5 is a modern instrument, crafted with classic analog soul, yet sleek and powerful for today's sonic journeys.  \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eWelcome to the Oberheim Renaissance  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTEO-5 captures the secrets of the OB-X, Four Voice, and TVS, their legendary spirit distilled into a compact, affordable dream machine. It's what Tom, the maestro himself, always wanted to build: a timeless tone palette, unleashed and accessible.  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eStep Up to TEO-5  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTake your music to the next level with genuine analog VCOs and VCFs. TEO's five inspiring voices sing with the warmth and power of pure triangle, sawtooth and pulse waves. But this isn't your grandfather's synth. Updated oscillators roar with analog through-zero FM, birthing textures never heard before. It’s organic and raw, ready to be sculpted with the legendary SEM filter, the heart of Oberheim that beats in countless hit songs over the last five decades. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e   \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eModern Mastery Meets Vintage Magic  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDive into TEO-5's spot-on OB-8 envelope emulations, among the multitudes of modulations shaping your sounds with pinpoint precision. Then, unleash the dual digital effects, letting chorus, delay, and reverb paint your sonic canvas. And for a taste of true Oberheim alchemy, dial in emulations of Tom's legendary Phase Shifter and Ring Modulator, conjuring swirling textures and metallic resonances straight from the golden age of synthesis.  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eCreative and Inspiring  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt's not just a synth, it's a playground. TEO-5's 64-step polyphonic sequencer sparks infinite melodic possibilities, while the multimode arpeggiator keeps your rhythms pulsing and pounding. Or play it live with the premium Fatar keybed, every note awash with responsive joy. From soaring leads to cascading chords and thunderous bass, TEO-5 will elevate every aspect of your musical performance.  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom studio to stage, TEO-5 is your sonic passport. A gateway to the Oberheim legacy and priced to unleash your own. Whether you're a seasoned pro seeking a compact powerhouse, or a new artist embarking on your analog adventure, TEO-5 beckons.  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt's Tom Oberheim's dream, realized. It's your sonic legacy, waiting to be written.  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e  \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eStep up to TEO-5. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOberheim is the pioneering synth company that helped spark the electronic music revolution of the 70s and 80s. Guided by the vision of engineer and inventor, Tom Oberheim, his namesake company introduced the first commercially available polyphonic synthesizer. Today, Oberheim reawakens this legacy by bringing the famed Oberheim sound to a new generation of instruments and artists. The company’s passion remains unchanged by time or technology — to provide the world with the finest-sounding analog synthesizers ever made.  \u003c\/p\u003e\n\u003c!----\u003e","brand":"Oberheim","offers":[{"title":"Default Title","offer_id":45937597284522,"sku":"","price":1599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Oberheim-TEO5_Top_sml.png?v=1715795986"},{"product_id":"mehr-music-machines-crossfaded","title":"Mehr Music Machines - Crossfaded","description":"\u003ch1\u003eCrossfaded is 14HP VCA-core utility for Eurorack Modular Synthesizers\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KTCfYVEW8nU?si=kcKOOaBzd-oSLtxt\u0026amp;start=22\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eFeatures: Dual 2-channel crossfader\/panner VCA\u003cbr\u003eCV control over pan\/fade\u003cbr\u003eBuilt in LFO with two shapes: Swirl (triangle) \u0026amp; Bounce (square)\u003cbr\u003eDedicated LFO output\u003c\/p\u003e\n\u003cp\u003eEach of the two crossfader sections has 2-input and 2-output. When using both signal inputs the output signal will present the opposing input signal. For example: Signal input 1A fades between outputs B to A. While simultaneously the opposite is true; Signal input 1B fades between outputs A to B.\u003c\/p\u003e\n\u003cp\u003eWhen only one input is used the outputs can be patched to a mixer's left + right channels for a classic \"Auto-Pan\" effect. Adjust the LFO's rate and depth to taste.\u003c\/p\u003e\n\u003cp\u003eVCA mode: for a classic VCA, patch a signal into either section's input, and utilize a single output. You now have a smooth linear.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe CV knob determines the depth of the control voltage's effect on the crossfader. With no external CV patched in, the CV knob will control the depth of the on-board LFO. Patching an external CV overrides the LFO. However, the LFO can still be used independently via its output.\u003c\/p\u003e\n\u003cp\u003eTo offset\/adjust the zero point for CV control, each section has a trimmer potentiometer on the back of the PCB.\u003c\/p\u003e\n\u003cp\u003ePatch Ideas:\u003cbr\u003ePatch channel 1's LFO into IN1A \u003cbr\u003ePatch channel 2's LFO into IN1B\u003cbr\u003eChoose different rates for each LFO,\u003cbr\u003ePatch Out 1A to a filter (Poodleface?) cutoff\u003cbr\u003eManually use the crossfade knob to scan between the two LFO's\u003cbr\u003eThis creates interesting combinations and time-warping modulations.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mehr Music Machines","offers":[{"title":"Default Title","offer_id":46089216753834,"sku":"","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Crossfaded.jpg?v=1719718493"},{"product_id":"pittsburgh-modular-lifeforms-percussion-sequencer-nos","title":"Pittsburgh Modular - Lifeforms Percussion Sequencer NOS","description":"\u003ch1\u003e\u003cspan\u003ePittsburgh Modular - Lifeforms Percussion Sequencer\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eThe Pittsburgh Modular \u003c\/span\u003e\u003cspan class=\"highlight\"\u003eLife\u003c\/span\u003e\u003cspan\u003eforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":46177258111146,"sku":"","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/percussionsequencer.jpg?v=1723147263"}],"url":"https:\/\/www.noisebug.net\/collections\/big-sale.oembed?page=2","provider":"Noisebug","version":"1.0","type":"link"}