{"title":"Summer High End 2026","description":"","products":[{"product_id":"524-quad-voltage-controlled-low-frequency-oscillator","title":"Moon Modular - 524CP: Quad LFO","description":"\u003cp\u003eBrand New in box.\u003c\/p\u003e","brand":"Moon Modular","offers":[{"title":"Default Title","offer_id":8884384006191,"sku":"","price":310.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/524CP.jpg?v=1792089203"},{"product_id":"a-101-6-opto-fet-filter-phaser","title":"Doepfer - A-101-6: Six Stage Opto FET VCF","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA-101-6 is a new filter module that uses so-called opto fets to control the filter frequency. opto fets are very similar to vactrols but use light depending field effect transistors (fets) instead of light depending resistors (ldrs). a opto fet is a combination of a light depending fet and a led (light emitting diode) both put into a small light-proof case. the advantage compared to vactrols is the much faster response of opto fets compared to ldrs. this allows much faster attack\/decay times and even fm effects. the disadvantage compared to vactrols is that the fet behaves as a normal ohm resistor only for small levels. with higher levels the fet begins to distort. apart from this the notes mentioned on the vactrol basics page are valid.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003emodule a-101-6 is made of six serial 6db filter stages. each stage can work as lowpass, highpass or one of two allpass types. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ethe type of filter is chosen by jumpers on the pc board (factory setting: low pass). the type of filter determined by the jumpers positions can be marked by means of a water-resistant felt pen at the front panel. the following document shows the jumper positions for the four different filter types.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ethe resonance is controlled by the feedback control up to self oscillation. by means of a trimming potentiometer the maximal feedback can be adjusted. high feedback values can be used mainly in the allpass mode to obtain very extreme self oscillation sounds. even an external feedback signal can be used instead of the internal feedback connection (fb in socket).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ethe mix control is used to pan between the original signal (ccw position) and the effect signal (cw position). in filter mode (lp\/hp) this control is usually set fully cw. in the allpass modes one obtains phasing sounds at center position or \"pure\" allpass sound in fully cw position.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003enote: the originally planned version of the module with voltage controlled switching between the different filter types will be not realized (see front panel sketch at the left side). because of the many required voltage controlled switches this version would have been much more expensive. most of the customers who tried the a-101-6 prototype suggested to leave out this vc switching feature as it was not that impressive and instead manufacture the module in a more affordable version.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eit requires 8 te\/hp worth of space to fit in a eurorack frame.\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884387315759,"sku":"","price":69.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-101-6.jpg?v=1536180195"},{"product_id":"a-110-4-thru-zero-quadrature-vco","title":"Doepfer - A-110-4: Thru Zero Quadrature VCO","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA-110-4 is a so-called Thru Zero Quadrature VCO. The term \"quadrature\" means in this connection that the oscillator outputs sine and cosine waveforms simultaneously. The term \"Thru-Zero\" means that even \"negative\" frequencies are generated. But this a bit a misleading term as negative frequencies do not really exist. \"Negative\" means in this connection simply that the sine\/cosine waves will stop when the linear control voltage reaches 0V and continue with the opposite direction as the linear control voltage becomes negative and vice versa.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe module has two control sections: linear and a exponential. The exponential section consists of the XTune control, the 1V\/Oct input and the XFM input with the corresponding attenuator XFM. The exponential control voltage is the sum of these three voltages. The linear section consists of the LFrq control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages. A dual color LED is used to display the polarity of the linear control voltage (red = positive, yellow = negative). The pitch of the sine\/cosine outputs is determined by the control voltages of both sections. The linear section is used to control the pitch in a linear manner. When the LFrq control (LFrq means Linear Frequency Control) is fully CW the module works like a normal Quadrature VCO (e.g. like the A-143-9) and the LED lights red (red = positive). The pitch is then controlled by the exponential section with the manual Tune control XTune and the exponential frequency control inputs 1V\/Oct and XFM. 1V\/Oct is used to control the pitch by a 1V\/Oct CV source (e.g. sequencer or Midi\/USB-to-CV interface). XFM is used to apply an exponential frequency modulation with adjustable depth (e.g. from an LFO or another VCO). As the LFrq control is turned counterclockwise starting from the fully CW position the frequency is lowered in a linear manner until the sine\/cosine waves (nearly) stops at the center position of LFrq (provided that no LFM signal is present). As the LFrq control is moved from the center towards the CCW position the wave starts again but into reverse direction and the LED turns yellow. When the fully CCW position of LFrq is reached the module works again like a normal Quadrature VCO. But much more exciting is the usage of the LFM input to modify the linear control voltage by an external control voltage (typically another sine VCO like a second A-110-4 - but even normal VCOs can be used). Linear modulation by another oscillator using the thru zero feature generates audio spectra than cannot be obtained from an oscillator without the thru zero function. The reason is that a \"normal\" VCO will simply stop as the linear control voltage becomes zero or negative. But a thru zero VCO will start again with \"negative\" frequencies as the the linear control voltage becomes negative.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe main advantage of the A-110-4 compared to other Thru Zero VCOs is that the design uses a sine\/cosine core. The sine\/cosine waves are not derived from other waveforms (e.g. sawtooth or triangle) by means of waveshaping. Rather the sine and cosine waves are the core of the VCO which results in very pure waves with a minimum of distortion and overtones.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe output level is about 3Vpp. Audio examples and oscilloscope pictures will follow soon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eImportant note: Please remove the bus jumper (JP3 \"BUS CV\") if no CV transmitter is installed on the same bus (e.g. a Midi\/USB-to-CV interface A-190-x or a bus access module A-185-x). The A-110-4 applies a small voltage with high impedance (100k) to the CV line of the bus when the bus CV jumper is installed. This may affect other modules that pick-up CV from the bus (e.g. other VCOs). As soon as a CV transmitter is installed on the same bus the high impedance voltage of the A-110-4 is overwritten and no problem occurs!\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884389249071,"sku":"","price":90.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a110-4.jpg?v=1536180586"},{"product_id":"doepfer-a-130-voltage-controlled-amplifier","title":"Doepfer - A-130: Voltage Controlled Amplifier","description":"\u003cp\u003e\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eModules a-130 and a-131 provide voltage-controlled amplification. for audio signals, you would normally use the exponential vca (a-131), and for control voltages, the linear vca (a-130). it doesn't always have to be that way, though.\u003cbr\u003e\u003cbr\u003e the amount of amplification the vcas provide is determined by the voltage at the cv input, and the position of the gain control, which sets the overall gain in the system.\u003cbr\u003e\u003cbr\u003e the vca has two audio inputs, each with an attenuator. they are amplified by an amount determined by the combination of the gain and the two cv controls.\u003cbr\u003e\u003cbr\u003e this module has a maximum current draw of 20ma. it requires 8 te\/hp worth of space to fit in a eurorack frame.\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884390101039,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a130.jpg?v=1536181728"},{"product_id":"c105-vc-noise-lo-fi-machine","title":"Corsynth - C105 MKII: Voltage Controlled Noise \/ Lo-Fi Machine","description":"\u003cdiv\u003e\n\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/div\u003e\n\u003cdiv\u003eThe \u003cstrong\u003eC105 VC Noise \/ Lo-Fi Machine MKII\u003c\/strong\u003e is a voltage controlled analog sample rate reducer and a VC Nosie generator. This new MKII version expands the modules possibilities with new features that allows this module to be used in other ways not possible with the previous version. Now the C105 MKII can be used like a traditional sample and hold , a voltage controlled clock generator , a random gate \/ trigger generator or a 12 db VC High pass filter and even as a square wave VCO.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe C105 new characteristics are :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe internal clock has a new LOW mode that allows to use it as a traditional sample and hold.\u003c\/li\u003e\n\u003cli\u003eThe module now accepts external clock signals, so it can be synced to other modules.\u003c\/li\u003e\n\u003cli\u003eNew clock output. Now the C105 can be used as a master clock.\u003c\/li\u003e\n\u003cli\u003eThe passive first order HPF has been replaced for a voltage controlled second order HPF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe C105 is based on a Sample and Hold with an internal clock that goes from 0,2Hz up to 44KHz and it can be voltage controlled. This wide frequency range and \u003cstrong\u003etwo FM inputs\u003c\/strong\u003e ( one with a reversible attenuator ) allow to create subtle or harsh digital and aliassing effects. The internal noise generator in combination with the S\u0026amp;H make a perfect way to create pitched noises, random voltages, sound FXs etc. In addition, there is also a \u003cstrong\u003e12db VC controlled high pass filter\u003c\/strong\u003e with an independent output.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe C105 can be used in many different ways:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSample rate reducer\u003c\/li\u003e\n\u003cli\u003eNoise generator\u003c\/li\u003e\n\u003cli\u003eVoltage controlled High pass filter\u003c\/li\u003e\n\u003cli\u003eRandom voltage generator\u003c\/li\u003e\n\u003cli\u003eRandom gate generator\u003c\/li\u003e\n\u003cli\u003eSample and Hold\u003c\/li\u003e\n\u003cli\u003eVC Clock\u003c\/li\u003e\n\u003cli\u003eSquare wave oscillator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Lo-Fi input is normalized to the internal noise generator.\u003c\/p\u003e\n\u003cp\u003eThe C105 Voltage Controlled Noise \/ Lo-Fi Machine MKII is built using high quality electronic components, \u003cstrong\u003eSwitchcraft \u003c\/strong\u003ejacks, \u003cstrong\u003eNKK \u003c\/strong\u003eswitches, \u003cstrong\u003eCosmo \u003c\/strong\u003eknobs (the same used in the Moog Modulars) , \u003cstrong\u003eblack anodized aluminium\u003c\/strong\u003e front panel.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eTechnical Data\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModule Format : \u003c\/strong\u003e5U, MU format ( Synthesizers.com, Moog )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModule Width : \u003c\/strong\u003e1 MU ( Moog Unit )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower : \u003c\/strong\u003e+15V@38mA , -15V@37mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower connectors : \u003c\/strong\u003eSynthesizers.com , MOTM ( 4 pin )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal level : \u003c\/strong\u003e 10Vpp ( +\/- 5V )\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/13451478\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/corsynth\" title=\"Corsynth\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eCorsynth\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/corsynth\/sets\/c105vcnoise\" title=\"Corsynth C105 MKII\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eCorsynth C105 MKII\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":8884411433007,"sku":"","price":330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/c105_mkii_2.png?v=1646356860"},{"product_id":"c108-dual-vca","title":"Corsynth - C108: Dual VCA","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003eThe C108 Dual VCA is a dual voltage controlled amplifier with selectable linear and exponential response.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eVCAs are one of the most important modules in a modular synth. In addition to the more obvious use, that it’s volume control, a VCA allows to add voltage control to any modulation input helping to create more interesting and time evolving patches.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA signal input.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAn initial gain control.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA voltage control input with a level potentiometer.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA switch to select the VCA response, linear or exponential.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAn output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe VCAs in this module are not only attenuators, they can also boost the input signal. Using the initial gain potentiometer and a five volts CV signal, the VCA has a maximum gain of 2 (doubles the signal amplitude). This is very useful for signal processing or to boost external signals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe C108 Dual VCA is built using high quality electronic components, Switchcraft jacks, Cosmo knobs (the same used by Moog Modular) , anodized aluminum front panel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eModule Format : 5U, MU format ( Synthesizers.com, Moog )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eModule Width : 1 MU ( Moog Unit )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eModule Depth : 52 mm ( 2,05 inches )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower : +15V@32mA , -15V@35mA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower connectors : Synthesizers.com , MOTM ( 4 pin )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVCA Maximum Gain : without using CV maximum gain 1 , using CV maximum gain 2\u003c\/span\u003e\u003c\/p\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":8884411531311,"sku":"","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/c108_dual_vca.png?v=1646357340"},{"product_id":"a-118v","title":"Doepfer - A-118V: Noise \/ Random","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eModule A-118 is (as you might have guessed) a noise and random voltage generator. It produces three types of signal: white noise, colored noise, and random voltage. The noise signal is generated 100% analog by amplification of the noise of a transistor. White and colored noise can be used as audio sources, and also, in conjunction with a sample \u0026amp; hold module, as control voltages, and the random voltage is a useful source of voltage control, especially for its low frequency content. The A-118 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the colored noise output. There are knobs to control the rate of change and amplitude of the random voltage, and two LEDs indicate the state of the voltage at any one time.\u003cbr\u003e\u003cbr\u003eWidth: 8TE \/ 8HP \/ 40.3 mm\u003cbr\u003eDepth: 40 mm (measured from the rear side of the front panel)\u003cbr\u003eCurrent: +20mA (+12V) \/ -10mA (-12V)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884422803503,"sku":"","price":104.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a118.jpg?v=1536163149"},{"product_id":"a-138bv","title":"Doepfer - A-138BV: Mixer","description":"\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003eModule A-138 is a four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator, and there's a master attenuator, so that the mixer can be used at the end of the audio chain - ie. it can be used to interface directly with an external mixer, amplifier, etc.\u003cbr\u003e\u003cbr\u003eA-138 b: potentiometers with logarithmic response, so especially suitable for audio signal mixing.\u003cbr\u003e\u003cbr\u003eWidth: 8 TE \/ 8HP \/ 40.3 mm\u003cbr\u003eDepth: 35 mm (measured from the rear side of the front panel)\u003cbr\u003eCurrent: +10mA (+12V) \/ -10mA (-12V)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884422869039,"sku":"","price":92.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a138b_389632e4-4cce-4aa7-8901-539f27d35e6c.jpg?v=1536163464"},{"product_id":"a-114v","title":"Doepfer - A-114V:  Dual Ring Modulator","description":"\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003cbr\u003e\u003cbr\u003eTwo identical ring modulators in one module. Suits very well for creating metallic or bell-like sounds by multiplication of the frequencies of two sound sources.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDetails\u003cbr\u003e\u003cbr\u003eThe module is split in two entirely identical subunits, both of which accomodate a ring modulator. Each has X and Y inputs where you insert the \"to-be-ring-modulated\" signals, and a X*Y output where the ring modulated product is provided.\u003cbr\u003econnectors\u003cbr\u003e\u003cbr\u003eper ring modulator: X input, Y input, X*Y output\u003cbr\u003edimensions\u003cbr\u003e\u003cbr\u003e3U Eurorack module. 4HP wide, 40mm deep\u003cbr\u003ecurrent draw 40mA","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884438892591,"sku":"","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a114.jpg?v=1536163111"},{"product_id":"a-139-2","title":"Doepfer - A-139-2: Headphone Amplifier","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003etwo-channel headphone amplifier\u003cbr\u003e \u003cbr\u003e    two audio inputs with level controls\u003cbr\u003e \u003cbr\u003e    Input 1 is normalled to Input 2\u003cbr\u003e \u003cbr\u003e    common loudness\/master level control\u003cbr\u003e \u003cbr\u003e    headphone output (stereo 1\/4\" jack socket)\u003cbr\u003e \u003cbr\u003e    max. output power ~ 2 W per channel (@ 8 Ohm load)\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eDC coupled inputs and outputs (i.e. also useful for other applications like small loudspeakers, lamps, LEDs, magnets, motors - provided that the power is sufficient)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884440498223,"sku":"","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-139-2.jpg?v=1536182916"},{"product_id":"a-110-6","title":"Doepfer - A-110-6: Trapezoid Thru Zero Quadrature VCO","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003eA-110-6 is a Trapezoid Thru Zero Quadrature VCO. The module is based on an idea by Donald Tillman from 2003 but has been revised for the use of modern electronic circuits (no OTAs\/CA3280). Because of it's unique trapezoid core it's totally different compared to other VCOs. But the trapezoid core is not the only specialty: it is also a quadrature VCO and features linear thru zero frequency modulation.\u003cbr\u003e\u003cbr\u003eThe term \"quadrature\" means in this connection that the oscillator outputs two trapezoid waves with 90 degrees phase shift. The same as sine and cosine of a standard quadrature oscillator like the A-110-4 or A-143-9. These waveforms are called TRASIN (trapezoid sine) and TRACOS (trapezoid cosine).\u003cbr\u003e\u003cbr\u003eThe term \"Thru-Zero\" means that even \"negative\" frequencies are generated. But this a bit a misleading term as negative frequencies do not really exist. \"Negative\" means in this connection simply that the TRASIN\/TRACOS waves will stop when the linear control voltage reaches 0V and continue with the opposite directions as the linear control voltage becomes negative and vice versa.The module has two control sections: linear and a exponential. The exponential section consists of the XTune control, the 1V\/Oct input and the XFM input with the corresponding attenuator XFM. The exponential control voltage is the sum of these three voltages. The linear section consists of the LFrq control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages. A dual color LED is used to display the polarity of the linear control voltage. The pitch of all outputs is determined by the control voltages of both sections. The linear section is used to control the pitch in a linear manner. When the LFrq control (LFrq means Linear Frequency Control) is fully CW the module works like a normal VCO and the LED lights red. The pitch is then controlled by the exponential section with the manual Tune control XTune and the exponential frequency control inputs 1V\/Oct and XFM. 1V\/Oct is used to control the pitch by a 1V\/Oct CV source (e.g. sequencer or Midi\/USB-to-CV interface). XFM is used to apply an exponential frequency modulation with adjustable depth (e.g. from an LFO or another VCO). As the LFrq control is turned counterclockwise starting from the fully CW position the frequency is lowered in a linear manner until the TRASIN\/TRACOS waves (nearly) stop at the center position of LFrq (provided that no LFM signal is present). As the LFrq control is moved from the center towards the CCW position the waves start again but into reverse direction and the LED turns yellow. When the fully CCW position of LFrq is reached the module works again like a normal VCO. But much more exciting is the usage of the LFM input to modify the linear control voltage by an external control voltage (typically another VCO). Linear modulation by another oscillator using the thru zero feature in combination with the trapezoid waveforms generates audio spectra than cannot be obtained from any other oscillator without the thru zero function. The reason is that a \"normal\" VCO will simply stop as the linear control voltage becomes zero or negative. But a thru zero VCO will start again with \"negative\" frequencies as the the linear control voltage becomes negative.\u003cbr\u003e\u003cbr\u003eOther waveforms like triangle, sawtooth, rectangle and sine can be obtained from the TRASIN\/TRACOS signals (triangle e.g. simply by subtracting TRISIN and TRICOS, SAWSIN and SAWCOS by switching the other waveforms). All five waveforms are available as quadrature pairs (i.e. with 90 degrees phase shift):\u003cbr\u003e\u003cbr\u003e Trapezoid (TRASIN + TRACOS)\u003cbr\u003e\u003cbr\u003e Triangle (TRISIN + TRICOS)\u003cbr\u003e\u003cbr\u003e Sinus (SIN + COS)\u003cbr\u003e\u003cbr\u003e Rectangle (RECSIN + RECCOS)\u003cbr\u003e\u003cbr\u003e Sawtooth (SAWSIN + SAWCOS)\u003cbr\u003e\u003cbr\u003eBy means\u003cbr\u003e\u003cbr\u003e of a toggle switch the frequency range can be selected between VCO (audio range) and LFO. In LFO range the frequencies are about 1\/100 compared to VCO mode.\u003cbr\u003e\u003cbr\u003eA dual-color LED display the polarity of the linear control section.Another dual-color LED shows the signal TRASIN which is helpful in LFO mode.\u003cbr\u003e\u003cbr\u003eTechnical note regarding linear FM: The LFM CV input is DC coupled. If the input is used for linear FM in audio range and the signal applied to this input has a DC offset it will cause a small pitch shift that depends upon the value of the DC voltage. Especially when a VCA is used to change dynamically the level of the modulation signal this may generate a pitch shift caused by the control voltage feedthrough of the VCA. The control voltage feedthrough adds a DC voltage at the output which depends upon the control voltage of the VCA. For this application VCAs with a very low CV feedthough should be used or the signal output of the VCA should be AC coupled to the LFM input of the A-110-6 (e.g. by inserting a capacitor).\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884440530991,"sku":"","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-110-6.jpg?v=1536180618"},{"product_id":"corsynth-c101b-ota","title":"Corsynth - C101B: OTA Lowpass Filter","description":"\u003cp\u003e\u003cstrong\u003eManufacturer Description:\u003c\/strong\u003e\u003c\/p\u003e\nThe C101B OTA Lowpass filter is a low pass filter based on four cascade OTA-stages. This OTA filter design can be found in many classic synthesizers like Roland Jupiter 8, Roland Juno 60, Roland System 100m, Roland SH-1, SH-7, SH-101, Roland System 700, Jen SX1000 and many more. \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003eC101B main characteristics \u003cbr\u003e\u003cbr\u003eTwo filter outputs with 6db and 24db response\u003cbr\u003e\u003cbr\u003eVoltage controlled resonance\u003cbr\u003e\u003cbr\u003eThree modulation inputs ( one with an attenuverter )\u003cbr\u003e\u003cbr\u003eOne audio input\u003cbr\u003e\u003cbr\u003eGain compensation circuit for the 24db output. \u003cbr\u003e\u003cbr\u003eBetter bass response and no more volume drop when you turn up the resonance.\u003cbr\u003e\u003cbr\u003eThis gain compensation can be deactivated.\u003cbr\u003e\u003cbr\u003eFilter self oscillate and can be used as VCO ( 1V\/Octave )\u003cbr\u003e\u003cbr\u003eTemperature compensated\u003c\/p\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":9010964856879,"sku":"","price":315.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/C101B.jpg?v=1534819160"},{"product_id":"doepfer-a-180-3","title":"Doepfer - A-180-3","description":"\u003cdiv\u003e\n\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e: \u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eModule A-180-3 is a dual buffered 1-in-3 multiple. The signal applied to the input socket appears as a buffered signal at the three output sockets. Each output has it's own buffer, i.e. the three output sockets are not simply connected to each other. The lower output of the upper unit is normalled in the factory to the input of the lower unit. That way the module works as a single 1-in-6 buffered multiple provided that no signal is applied to the input of the lower unit. But it's also possible to pick-up the bus CV and normalize the input socket of the lower unit to the bus CV.\u003c\/span\u003e\u003c\/div\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":9484643237935,"sku":"","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-180-3.jpg?v=1538232899"},{"product_id":"kilpatrick-audio-k4816-pattern-generator","title":"Kilpatrick Audio - K4816 [Buchla Compatible]","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Qc5-YPoFIog\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/5G54_CpSlac\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eK4185 Pattern Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eBuilding on the success of the K4815 Pattern Generator originally designed for Eurorack, the K4816 offers \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e users this amazing module with a design optimised for this high-end format. The K4816 Pattern Generator by Kilpatrick Audio packs incredible power into a single space module. The K4816 can produce notes and varying control voltages for a wide range of musical and experimental sound applications. Its unique approach to music creation is sure to have you finding new melodies and rhythms never heard before. Unlike a step sequencer, where the player picks each note in a sequence, the K4816 creates sequences by combining a scale, a visual pattern (as shown on the display) and a sequence playback motion to determine the rhythms and notes that are actually played. Other parameters can adjust the note and sequence length, as well as the transposition, direction of playback, and so on.\u003c\/p\u003e\n\u003cp\u003eIn addition to features found on the original K4815 Pattern Generator, the K4816 adds new CV inputs: Pattern Type, Motion Start and Motion Length. These allow unprecedented real-time control over the playback position and currently enabled spaces on the grid. The Offset In allows for easy mixing of an external voltage with the CV output for FM and other effects. And the clock Start, Continue and Stop jacks provide pulse inputs for controlling the clock and resetting playback position. You can even control the internal high-stability clock generator via analog pulses or MIDI.\u003c\/p\u003e\n\u003cp\u003eThe K4816 is also fully MIDI compatible. With a built-in MIDI interface and extensive MIDI implementation, the K4816 can bridge the gap between analog and MIDI control. For instance, clock control pulses generate MIDI clock messages automatically. And the Motion Start, Motion Length and Pattern Type inputs generate MIDI control change messages on the MIDI out jack, and these parameters respond to MIDI too. You can also use a MIDI keyboard to start, stop and transpose the patterns in realtime and reverse the playback direction. In X\/Y output mode you can generate control change messages and stepped voltages instead of notes.\u003c\/p\u003e\n\u003ch3\u003ePattern Generation Concept\u003c\/h3\u003e\n\u003cp\u003eNew ways of creating melodies and control signals help to break new ground in music and sound. The K4816 helps you explore new melodies and rhythms using a unique concept of generating patterns. Unlike random pattern generators or ones based on various mathematical concepts, the K4816 bases its music-making foundation on simple scales, visually-designed patterns, and intellectually-designed motions. These three elements can be controlled by the player in realtime to create an enormous variety of sounds. And it is done in a visual way that is fun to use. Everything happens on the 8x8 LED matrix, which is both a visual indicator and a conceptual view of how the system works internally. Scales, patterns and motions are all mapped to points on the matrix, which show in realtime exactly what is happening.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe K4816 concept can be thought of as three distinct layers:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eScales\u003c\/b\u003e - Underneath the 8x8 LED matrix are the notes which are assigned to each of the 64 points on the grid. The selected scale can be major or minor, large or small. These are selected with the \u003cb\u003emaj\/min\u003c\/b\u003e and \u003cb\u003elarge\/small\u003c\/b\u003e switches. Only four choices might seem like a limitation, but what happens on the other two layers ultimately affects the rhythms and melodies that are produced.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePatterns\u003c\/b\u003e - Patterns are visually designed icons, symbols and patterns which define which notes will play. They are shown in the background at all times. There are 32 patterns which can be selected with the \u003cb\u003ePATTERN TYPE\u003c\/b\u003e knob or an external voltage. If a point on the 8x8 LED matrix is lit, the underlying scale note is active. If the playback ball lands on that point, its note will play.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMotions\u003c\/b\u003e - Motions define how a sequence is played. Each motion defines up to 64 steps in a sequence. Each step can land on any of the points on the 8x8 LED matrix. If a step lands on a point which is lit, a note will play. There are 64 different motions, some sequential and musically-designed, and others more abstract or geometrically-designed. By using MIDI it is possible transpose the scale, and also to start and stop motion playback with note commands, changing the K4816 into a special type of auto-arpeggiator.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe K4816 Pattern Generator is only available for a limited time. Special thanks to Hugh, wizard \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e user and collaborator who encouraged and helped to make this special module possible.\u003c\/p\u003e\n\u003ch2\u003eFeatures and Specs\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e form-factor with 7\" height, 1 space (4.25\") wide\u003c\/li\u003e\n\u003cli\u003eMusical note, control and clock signals generated using unique methods\u003c\/li\u003e\n\u003cli\u003e64 LED (8x8) multi-brightness grid to show patterns and status\u003c\/li\u003e\n\u003cli\u003eClock control via internal clock, or external MIDI or analog clock\u003c\/li\u003e\n\u003cli\u003eClock, Direction, Start, Continue and Stop inputs (10V pulses, or 10V held for Direction)\u003c\/li\u003e\n\u003cli\u003eMotion Start, Motion Length, and Pattern Type CV inputs (0-10V range)\u003c\/li\u003e\n\u003cli\u003eOffset Input actively mixes (analog) with CV\/X output for transposition or modulation\u003c\/li\u003e\n\u003cli\u003eCV\/GATE or X\/Y analog outputs (0V to 10V range)\u003c\/li\u003e\n\u003cli\u003eCV is 1.2V\/octave - 8 octave range\u003c\/li\u003e\n\u003cli\u003eGATE supports \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e -style trigger pulse \/ sustain waveform for controlling 281, etc.\u003c\/li\u003e\n\u003cli\u003eBuilt-in MIDI input supports note, CC and clock control over MIDI\u003c\/li\u003e\n\u003cli\u003eBuilt-in MIDI output to drive synths and sequencers, and use as a CV to MIDI interface\u003c\/li\u003e\n\u003cli\u003eComes equipped with a \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e power cable - requires +15V, -15V and +5V for operation\u003c\/li\u003e\n\u003cli\u003eDesigned and made in Canada using high quality parts.\u003c\/li\u003e\n\u003cli\u003eWarranty: 1 year\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kilpatrick Audio","offers":[{"title":"Default Title","offer_id":9647754084399,"sku":"","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/K4816-pattern_generator-buchla.jpg?v=1541206476"},{"product_id":"doepfer-a-105-4-quad-poly-vcf","title":"Doepfer - A-105-4: Quad Poly VCF","description":"\u003cdiv\u003e\n\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eA-105-4 is our first polyphonic filter and contains four identical 24dB Lowpass filters (SSM2044 type). It has available common manual controls and CV inputs with attenuators for these parameters.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe module has these controls and in\/outputs are available:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFrequency F \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFrequency Modulation Intensity FM \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eResonance Q \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Input Level L \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVF control (attenuator for Frequency Control Voltage CVF)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVFM control (attenuator for Frequency Modulation Control Voltage VCFM)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVQ control (attenuator for Resonance Control Voltage CVQ)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVL control (attenuator for Level Control Voltage CVL)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVF socket (Frequency Control Voltage CVF)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVFM socket (Frequency Modulation Control Voltage VCFM)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVQ socket (Resonance Control Voltage CVQ)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVL socket (Level Control Voltage CVL)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFM Input 1 - 4 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Input 1 - 4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Output 1 - 4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eEach filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4). The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe range of the audio input level control (L) allows also clipping\/distortion with typical A-100 audio levels (e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApplication: polyphonic patches (four VCFs with same parameters)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":9838608384047,"sku":"","price":305.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/A1054.jpg?v=1545177114"},{"product_id":"leploop-arpopone","title":"LEP - Arpopone [Desktop]","description":"\u003cp\u003e\u003cstrong\u003eArpopone \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e...is a simple melody\/bass line generator with a chord and rhythmic section. It is based on analog ramp divider, similar to those used for Multicassa which are inspired by Oskar Sala's Mixturtrautonium, an early electronic musical instrument.\u003c\/p\u003e\n\u003cp\u003eEach divider generates a voltage ramp starting from a master clock (internal or external) a potentiometer is used to set the number of steps and thus the division ratio with a minimum of 1, there are ten of such dividers in the different sections of the instrument:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 for the rhythmic section (trigger pulses 1 \u0026amp; 2)\u003c\/li\u003e\n\u003cli\u003e2 for the scale generator, these have a ramp output that forms the melody line\u003c\/li\u003e\n\u003cli\u003e6 for the audio dividers, the 2 prescalers are chained with 4 note dividers, one for bass and 3 for chords.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA further divider comes into play if external clock is selected, in this case the BPM control acts as a clock divider making possible the synchronization with other instruments (at maximum speed divider=1).\u003c\/p\u003e\n\u003ch2\u003eSpecs\u003c\/h2\u003e\n\u003cp\u003ePower also non-stablized 12 volts + central tip.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**Units include power supplies**\u003c\/strong\u003e\u003c\/p\u003e","brand":"LEP","offers":[{"title":"Default Title","offer_id":35290284589213,"sku":"","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Arpopone.jpg?v=1776727572"},{"product_id":"eowave-titan-discrete-oscillator-black","title":"Eowave - Titan Discrete Oscillator [black]","description":"\u003cp\u003eThe Titan Oscillator is a compact (5HP) discrete VCO with a frequency range of about 1Hz to 6kHz.\u003c\/p\u003e\n\u003cp\u003eIt has dedicated sawtooth and pulse wave outputs, further possibilities include Sync and PWM.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003chr class=\"line\"\u003e\n\u003cp\u003ePower consumption: 8mA at +12 V and 6mA at -12 V\u003c\/p\u003e\n\u003cp\u003eDepth: 26mm\u003c\/p\u003e\nHP : 5","brand":"Eowave","offers":[{"title":"Default Title","offer_id":35844836196509,"sku":"","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/Titan.jpg?v=1598376304"},{"product_id":"doepfer-a-108","title":"Doepfer - A-108","description":"\u003cp\u003eModule A-108 is a completely new voltage-controlled low pass pass filter based on the well-known transistor ladder (Moog ladder).\u003c\/p\u003e\n\u003cp\u003eThe module has internally an 8 stage low pass filter with different slopes available: 6, 12, 18, 24, 30, 36, 42 and 48 dB per octave. In addition it features an band pass output (i.e. band pass with transistor ladder). In the factory the 4 low pass outputs of the A-108 are internally connected to the filter stages 6, 12, 24 and 48dB. From our first A-108 audio tests this seems to be the best output combination as these outputs generate audible different sounds. E.g. the audible difference between the 48dB and 42dB or between 42dB and 36dB is very little. But if desired any of the filter stages can be connected to one of the outputs.\u003c\/p\u003e\n\u003cp\u003eRemark: Only 4 output stages are available as this seems to be sufficient from our experiences. In the factory the out stages are connected to the filter stages with 6, 12, 24 and 48 dB slope. By changing the internal connections (jumpers or wires) each of the filter stages can be used but only four at a time. Even a multi-way switch could be used but from our results the factory setting (6\/12\/24\/48dB) is the best combination for musical applications. From our experience it would e.g. make not much sense to have 30dB, 36dB, 42dB and 48dB available simultaneously - but if desired one could have this combination avaiable.\u003c\/p\u003e\n\u003cp\u003eResonance (Emphasis or Q ) can be adjusted manually right up to self-oscillation, in which case the filter will behave like a sine wave oscillator. The A-108 features an external feedback input that enables the insertion of additinal modules into the feedback path (e.g. VCA for voltage controlled resonance or phaser\/frequency shifter for phase\/frequency shifting effects). The socket is normalized and internally connected to the 48dB low pass output if no cable is inserted into the feedback socket. The frequency can be adjusted manually, or by voltage control. Three CV inputs (CV1, CV2, CV3) are available. CV2 and CV3 are eqipped with attenuators.\u003c\/p\u003e\n\u003cp\u003eThe filter audio input is very sensitive so that distortion - if desired - is possible even with normal A-100 levels (e.g. VCO output). Self oscillation will break off at high distortion levels as the internal feedback signal is drown out by the distorted audio signal. This feature may intentionally be used to create new sounds. In combination with the Voltage Controlled Mixer A-135 and the Morphing Controller A-144 a filter with voltage controlled slope can be realized (i.e. controlling the slope from 6dB to 48dB via CV).\u003c\/p\u003e\n\u003chr class=\"line\"\u003e\n\u003cp\u003ePower consumption: 40mA at +12V and 40mA at -12V\u003c\/p\u003e\n\u003cp\u003eDepth: 75mm\u003c\/p\u003e\n\u003cp\u003eHP : 12\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":37703610237098,"sku":"","price":207.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/A-108.jpg?v=1607371148"},{"product_id":"northern-light-modular-evenmidi-4u-model-2em","title":"NLM – Model 2EM EvenMidi [Buchla Compatible]","description":"\u003cp\u003eNorthern Light Modular!\u003c\/p\u003e\n\u003cp\u003eBuchla Format midi encoder tailored to Eventide, Strymon and other midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003ePairs excellently with the 2H9 4U module but also controls any midi CC driven unit , external or VST synth and effect\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox Strymon BigSky\/TimeLine and more\u003cbr\u003e10 controls for direct control of any mapped parameter\u003cbr\u003e10 CV inputs to animate those controls\u003cbr\u003e10 attenuverters to scale the incoming CV positively or negatively\u003c\/p\u003e\n\u003cp\u003eExpression pedal input for hands free control\u003c\/p\u003e\n\u003cp\u003eUp to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003eVSTs, external synths and everything else that takes midi in can be modulated directly by the CV of your Buchla system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1vxTSogcMb87QnA9TSV4UHhFtcuXJuIrm\/view?usp=sharing\" target=\"_blank\"\u003eLatest Firmware V1.8.5\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1b4ETtsOntUS8P3VFbVH33JgtatRU1Hsg\/view?usp=sharing\" target=\"_blank\"\u003eFirmware updater (WIN)\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":37768201928874,"sku":"","price":975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/NLM2EM.jpg?v=1608603565"},{"product_id":"doepfer-a-133-dual-voltage-controlled-polarizer","title":"Doepfer - A-133 Dual Voltage Controlled Polarizer","description":"\u003cp\u003eA-133 is a special dual voltage controlled amplifier that enables both positive and negative amplifications. Negative amplification means in this context that the signal is inverted. The main application of the module is the processing of control voltages, e.g. ADSR or LFO. The amplification range is about -2.5....0....+2.5. Amplification can be adjusted manually (Man control) and by an external control voltage with attenuator (CV). The present amplification is displayed with two LEDs: one for positive and one for negative amplifications (not a signal display but amplification diplay, similar to A-134).\u003c\/p\u003e\n\u003chr class=\"line\"\u003e\n\u003cp\u003ePower consumption: 30mA at +12V and 20mA at -12V\u003c\/p\u003e\n\u003cp\u003eDepth: 50mm\u003c\/p\u003e\n\u003cp\u003eHP : 8\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":39316223787178,"sku":"","price":49.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/A-133.jpg?v=1614977016"},{"product_id":"doepfer-a-101-1v","title":"Doepfer - A-101-1V","description":"\u003cp data-mce-fragment=\"1\"\u003eThis is the first vactrol based module in the A-100 system.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA vactrol is a combination of a light depending resistor (LDR) and a LED (light emitting diode) both put into a small light-proof case. Increasing the LED brightness causes a decrease of the LDR resistance (e.g. the light controlled voltage module A-179 is an application of a LDR). This effect can be used in circuits that require variable resistors to obtain the desired function (e.g. VCFs, VCAs, VC phasers, VC trigger delays, VC slew limiters, VC Envelope Generators, VC LFOs, VCOs and many more). The advantage of vactrols compared with other solutions (e.g. OTAs, diodes, transistors or FETs as variable resistors) is that they behave like a normal Ohm resistor and can handle high voltages without causing distortion. This is probably the reason why the sound of vactrol-based circuits usually is described as soft or mellow. Disadvantages are the expenditure and consequently the expenses and the not exactly defined coherence between LED current and LDR resistance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor each vactrol the LDR resistance decreases when the LED current increases but mechanical and electrical tolerances cause that each vactrol will behave a bit different (e.g. because of the differences in alignement and distance between LED and LDR, different brightness of the LEDs at the same current).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eModule A-101-1 is a special multitype filter based on an idea by Nyle A. Steiner. The circuit uses the standard non-inverting amplifier filter design. Different filter types (low pass \/ LP, band pass \/ BP, high pass \/ HP) are realized by injecting the audio signal into different points of the circuit and using a common output for all filter types. One may feed three different audio signals into the filter simultaneously. Each signal is filtered correspondingly (LP resp. BP resp. HP) and the sum of the three filtered signals appears at the output. Of course it is possible to feed the same signal to all three inputs. In this case one obtains different combinations of LP\/BP\/HP according to the settings of the three input attenuators for LP\/BP\/HP. Even a Notch filter is possible (not available in the original design). The filter inputs are normalled, i.e. the BP input is connected to the LP jack socket provided that no cable is plugged into the BP socket (same applies for HP\/BP inputs).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn contrast to the original circuit vactrols are used instead of diodes as variable resistors for frequency control of the filter. Due to the\"crooked\" response of vactrols the filter has not an exact frequency control standard (like V\/Oct). The inevitable tolerances between different vactrols will lead to an individual sound of each module and individual resonance behaviour. Even the resonance control is realized with vactrols. Consequently this parameter is voltage controlled, too. Resonance can be increased up to self-oscillation. Resonance and consequently self-oscillation may vary with the filter frequency because of vactrol tolerances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA special feature of the module are the two audio outputs. Out 1 is the output of the original circuit. In the original circuit by Nyle A. Steiner the output level was distinctly dependent upon the resonance (higher resonance = higher output level). Out 2 compensates this behaviour by the usage of an additional vactrol that is connected in series to the vactrol that controls the resonance. This additional vactrol forms an attenuator (or simple VCA) that approximately compensates the level increase for higher resonance settings.\u003c\/p\u003e\n\u003chr class=\"line\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePower consumption: 30mA at +12V and 30mA at -12V\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDepth: 50mm\u003c\/p\u003e\nHP : 16","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":39706165018794,"sku":"","price":207.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-101-1v.jpg?v=1619034690"},{"product_id":"nlm-hmm2","title":"NLM - hMM2 H-Module [Buchla Compatible]","description":"\u003cp\u003e4 channel 16x gain mixer with selectable routing into a distortion stage\u003c\/p\u003e\n\u003cp\u003eA 2164 based 4 channel mixer with extra spice added by the WaveMorpher borrowed from the RSF Kobol.\u003cbr\u003eThe mixer has 4 audio inputs , 4 linear CV controlled VCAs and a dedicated  Morpher section .\u003cbr\u003eThe Morpher has its own output and can be fed back into another channel of the mixer.\u003c\/p\u003e\n\u003cp\u003eThe new version adds dedicated VCA outputs for each channel , a mute position for the routing switch, LED level indication for both offset and CV plus new panel graphics.\u003c\/p\u003e\n\u003cp\u003eEvery input has unity gain at the 12 o’clock position (detent) and 2x gain at fully CW.\u003cbr\u003eChannel cascading allows for 16x gain which is perfect to boost low level Buchla signal to Eurorack or feed high impedance sources like the 2SR and the clock detector of the 2OC\u003c\/p\u003e\n\u003cp\u003eThe h series modules require a h bracket to be mounted in a 1U space\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":41835829166250,"sku":"","price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/hMM2.jpg?v=1639012859"},{"product_id":"nlm-euem2-t","title":"NLM - euEM2 T [Buchla Compatible]","description":"\u003cp\u003eThe Eurorack version of the well known Evenmidi pedal controller for midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003eEnhanced ergonomic , upgraded interface elements, custom panels for multiple pedals\u003cbr\u003e Pairs excellently with the Strymon TimeLine by default but controls any midi CC driven unit.\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox Strymon BigSky, TimeLine and more\u003cbr\u003e 10 controls for CV offset\u003cbr\u003e 10 CV inputs to animate those controls\u003cbr\u003e 10 attenuverters to limit the CV positively or negatively\u003cbr\u003e Up to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003e VSTs, external synths and everything else that takes midi in can be controlled directly by the CV of your Eurorack system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":41836047368362,"sku":"","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/euEM2T-1.jpg?v=1639014839"},{"product_id":"nlm-euem2-b","title":"NLM - euEM2 B [Buchla Compatible]","description":"\u003cp\u003eThe Eurorack version of the well known Evenmidi pedal controller for midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003eEnhanced ergonomic , upgraded interface elements, custom panels for multiple pedals\u003cbr\u003e Pairs excellently with the Strymon BigSky by default but controls any midi CC driven unit.\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox, Strymon BigSky,TimeLine and more\u003cbr\u003e 10 controls for CV offset\u003cbr\u003e 10 CV inputs to animate those controls\u003cbr\u003e 10 attenuverters to limit the CV positively or negatively\u003cbr\u003e Up to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003e VSTs, external synths and everything else that takes midi in can be controlled directly by the CV of your Eurorack system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":41836050186410,"sku":"","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/euEM2B.jpg?v=1639014892"},{"product_id":"sequential-ob-6-desktop","title":"Oberheim - OB-6 Desktop [DEMO]","description":"\u003ch3\u003eClassic Oberheim Sound — Made Portable\u003c\/h3\u003e\n\u003cp\u003eThis unit was opened and briefly demoed. Includes manufacturer warranty \u003c\/p\u003e\n\u003cp\u003eThe OB-6® desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.\u003c\/p\u003e\n\u003cp\u003eHow does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world.\u003c\/p\u003e\n\u003cp\u003eWe’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony!\u003c\/p\u003e\n\u003ch3\u003eTwo Legends. One Instrument\u003c\/h3\u003e\n\u003cp\u003eBoth the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003c\/p\u003e\n\u003ch3\u003eVintage SEM Tone\u003c\/h3\u003e\n\u003cp\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003c\/p\u003e\n\u003ch3\u003eX-Mod and Poly Step Sequencing\u003c\/h3\u003e\n\u003cp\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003c\/p\u003e\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\n\u003cp\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003c\/p\u003e\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\n\u003cp\u003eThis analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.\u003c\/p\u003e\n\u003cdiv id=\"tab-specs_tab\" class=\"panel entry-content wc-tab\"\u003e\n\u003cdiv id=\"tab-specs_tab-specs\" class=\"interior-content\"\u003e\n\u003cdiv class=\"model-interior-details\"\u003e\n\u003ch3\u003eOB-6 Desktop Specifications\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eOSCILLATORS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eOscillator detune amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eMIXER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eSTATE-VARIABLE FILTER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFILTER ENVELOPE\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eAMPLIFIER ENVELOPE\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eLOW FREQUENCY OSCILLATOR\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFive wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and 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down)\u003c\/li\u003e\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\n\u003cli\u003ePolyphonic portamento\u003c\/li\u003e\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes\u003c\/li\u003e\n\u003cli\u003eManual switch: when on, the front panel is live; what you see is what you hear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePATCH MEMORY\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\n\u003cli\u003eDirect program access, including single-button access to the current set of 10 programs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eIN\/OUT\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone 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The core is a 12dB multimode filter identical to the modules A-121-2 and A-121-3. The selection of the filter type is continuously from lowpass via notch and highpass to bandpass. We attached great importance to the usability of the manual controls and CV inputs for both stereo and dual mono applications. For the filter parameters frequency (F), resonance (Q) and type (T) common controls and CV inputs as well as single controls and CV inputs are available. For the filter frequency in addition a manual control and CV input for the filter spread (frequency difference or delta F) is available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eF\u003c\/strong\u003e: master frequency control for both filters (large knob)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eType 1 \/ Type 2\u003c\/strong\u003e: filter type panning\/morphing L-N-H-B\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Link to 1\u003c\/strong\u003e: Toggle switch so that Type 1 also controls type of filter 2 (i.e. simultaneous filter type control for both filters)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSFM1 \/ SFM2\u003c\/strong\u003e: Single Frequency Modulation controls (polarizers), connected to the corresponding sockets SFM1\/SFM2 (socket SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1, that way the controls SFM1\/SFM2 work as frequency controls for each filter provided that no modulation signals are patched to the SFM1\/SFM2 sockets)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCFM\u003c\/strong\u003e: common frequency control, controls two VC-polarizers which process the signals connected to the two sockets CFM1\/CFM2, CFM2 is normalled to CFM1, that way also the same modulation signal (e.g. an envelope generator) can be used for both filters and the level controlled simultaneously by the CFM control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Delta F\u003c\/strong\u003e: controls the difference between the frequencies of the two filters manually (frequency \"spread\"), at center position the frequencies are the same\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Delta FM\u003c\/strong\u003e: controls the level of the Delta FM signal (socket), which allows to control the spread between the frequencies also by an external control voltage (e.g. by an LFO or ADSR)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ\u003c\/strong\u003e: controls the resonance of both filters simultaneously\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Level 1 \/ Level 2\u003c\/strong\u003e: attenuators for the two audio inputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e QM\/TM1, QM\/TM2\u003c\/strong\u003e: attenuators for the modulation inputs QM\/TM1 and QM\/TM2 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSockets:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn1 \/ In2\u003c\/strong\u003e: audio inputs (In2 is normalled to In1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOut1 \/ Out2\u003c\/strong\u003e: audio outputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eF\u003c\/strong\u003e: common frequency control input for both filters (~ 1V\/oct)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e Delta FM\u003c\/strong\u003e: Control voltage for frequency spread, processed by the polarizer Delta FM\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSFM1 \/ SFM2\u003c\/strong\u003e: single frequency modulation inputs, processed by the polarizers SFM1 and SFM2,  SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1#\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCFM1 \/ CFM2\u003c\/strong\u003e: common frequency modulation inputs, processed by the two voltage controlled polarizers controlled by CFM knob, CFM2 is normalled to CFM1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e QM\/TM1, QM\/TM2\u003c\/strong\u003e: the addressing of these sockets\/attenuators is defined by internal jumpers. QM means Q modulation (i.e. resonance modulation), TM means filter type modulation (QM1 = resonance modulation filter 1, QM2 = resonance modulation filter 2, TM1 = filter type modulation filter 1, TM2 = filter type modulation filter 2), socket QM\/TM1 is normalled to a fixed positive voltage, QM\/TM2 is normalled to QM\/TM1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA 45 degrees triangle next to a socket means that the switching contact of the socket is normalled to a fixed positive voltage (SFM1, QM\/TM1).\u003cbr\u003eA vertical triangle indicates the normalling of two sockets (In1\u0026gt;In2, SFM1\u0026gt;SFM2, CFM1\u0026gt;CFM2, QM\/TM1\u0026gt;QM\/TM2).\u003c\/p\u003e\n\u003cp\u003eIf the filters do not behave as expected please pay attention to these peculiarities:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor the controls \u003cstrong\u003eSFM1, SFM2, CFM, Delta F\u003c\/strong\u003e and\u003cstrong\u003e Delta FM\u003c\/strong\u003e the \u003cu\u003ecenter position is the neutral position\u003c\/u\u003e as these are polarizers. If the filter behaves unexpected these controls should be set to center positions for the time beeing. \u003c\/li\u003e\n\u003cli\u003eIn addition the sockets \u003cstrong\u003eSFM1 \u003c\/strong\u003e and\u003cstrong\u003e SFM2\u003c\/strong\u003e are normalled to fixed positive voltages provided that no patch cables are inserted into these sockets. In this case the controls \u003cstrong\u003eSFM1\u003c\/strong\u003e and \u003cstrong\u003eSFM2\u003c\/strong\u003e work as additional individual manual controls for the frequencies of filter 1 and 2 with center positions as neutral positions.\u003c\/li\u003e\n\u003cli\u003eFor the controls \u003cstrong\u003eF, Q, Level 1, Level 2, QM\/TM1\u003c\/strong\u003e und\u003cstrong\u003e QM\/TM2\u003c\/strong\u003e the \u003cu\u003e fully CCW position is the neutral position\u003c\/u\u003e as these are standard attenuators. If the filter behaves unexpected at least the controls \u003cstrong\u003eQM\/TM1\u003c\/strong\u003e and\u003cstrong\u003e QM\/TM2\u003c\/strong\u003e should be set to fully CCW. The reason is that via the normalling of the sockets \u003cstrong\u003eQM\/TM1\u003c\/strong\u003e and \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e the associated controls generate control voltages which are added to the control voltages generated by the main contols (Type 1, Typ 2, Q). Which of these parameters are affected depends upon the settings of the internal jumpers. \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBy means of small circles at the bottom right side of the front panel the user can mark the function of the QM\/TM inputs. These assignments are possible:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls QM1, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls QM2, the filter types are not controlled by external CVs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls TM1, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls TM2, the resonances are not controlled by external CVs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls QM1 and QM2 simultaneously, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls TM1 and TM2 simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo filter\u003c\/strong\u003e: two different audio signals are connected to the audio inputs. At the outputs appear the filtered signals. The filterings depend upon the positions of the manual controls and the applied control voltages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSerial mono filter:\u003c\/strong\u003e the mono signal is applied to audio input 1. Audio output 1 is connected to audio input 2. The filtered mono signal appears at audio output 2. One has to pay attention that the filter parameters are set in a way so that a signal will appear at the output. If for example a lowpass and a highpass are daisy chained the frequency of the lowpass has to be higher than the frequency of the highpass. Otherwise no signal will appear at the output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eParallel mono filter:\u003c\/strong\u003e the audio signal is fed to both audio inputs (e.g. via the normalled sockets In1\u0026gt;In2). By means of a mixer module the audio outputs 1 and 2 are mixed.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":43496969863338,"sku":"","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/doepfer_a-121-s_01.jpg?v=1663895619"},{"product_id":"nlm-2sa-200-series","title":"NLM - 2SA Space Arcade [Buchla Compatible]","description":"\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eA new take of the edgy, arcane, harsh and pumping pulse wave synth called “Edges” made once by Mutable Instruments\u003c\/p\u003e\n\u003cp\u003eThe 2AS at its core provides 4 fully CV-controlled 8-BIT chiptune style voices.\u003cbr\u003eEach voice has a pitch CV input , a gate , audio FM and a coarse pitch knob.\u003cbr\u003eThere is hard sync from 1to2 and ring mod from 1to2 and 1to3 available\u003cbr\u003eVoice 4 is a digital pseudo random noise generator\u003cbr\u003eAll outs are being summed in a diode clipper distortion stage and are limited to 1.7V\u003c\/p\u003e\n\u003cp\u003eAnd for the extra level of Space feeling we put in a powerful effect engine providing Reverb, Delay , a low pass filter and bitcrushing.\u003cbr\u003eThis engine is our first endeavor into the Daisy ecosystem and will only grow over time.\u003c\/p\u003e\n\u003cp\u003eWe also added Midi IN to play each voice with external keyboards or sequencers.\u003c\/p\u003e\n\u003cp\u003eMIDI Learn: Press this button and send a midi note. The device will use that channel as the base channel\u003cbr\u003eMIDI Mode: This button cycles between four operational modes.\u003c\/p\u003e\n\u003cp\u003e1. 4 single voices trigger on 4 midi channels starting on the base MIDI channel\u003cbr\u003e2. Full Poly mode where each voice plays on a different note on the same midi channel\u003cbr\u003e3. Limited Poly or Chord mode where only the first three voices are used\u003cbr\u003e4. UNISON .. all four voices play a monophonic but brutal crescendo\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":44061912858794,"sku":"","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/2AS.1.2.1-1.jpg?v=1668738646"},{"product_id":"moog-minimogg-model-d-pre-order","title":"Moog - Minimoog Model D","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/G4rR5iwWTTw\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe One and Only Minimoog Model D Returns \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eMore than a half-century since its invention, the legendary Minimoog\u003cbr\u003eModel D analog synthesizer returns to production inside the Moog\u003cbr\u003efactory in Asheville, North Carolina. \u003c\/h4\u003e\n\u003cp\u003eNOISEBUG SPECIAL:  OFFICIAL MOOG DUST COVER INCLUDED!\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1970, the Minimoog Model D changed the face of modern\u003cbr\u003emusic and has served as the archetype for all synthesizers that followed.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe all-analog instrument gained acclaim for combining the colossal sound of the\u003cbr\u003e1960s Moog modular synthesizers with the accessibility of pre-wired modules,\u003cbr\u003emeaning that it could be played instantly and intuitively with no patch cables\u003cbr\u003erequired. A groundbreaking innovation, the Minimoog was quickly embraced by a\u003cbr\u003ediverse roster of performers, such as Herbie Hancock, Kraftwerk, Jan Hammer, Sun\u003cbr\u003eRa, Giorgio Moroder, Parliament Funkadelic, Pink Floyd, and Gary Numan—all\u003cbr\u003eshaping unique sounds and forging new genres with the instrument.\u003cbr\u003eMore than a half-century since its invention, Minimoog Model D is back in production at the Moog factory in Asheville, North Carolina. An exceptional sonic\u003cbr\u003etool and one of the most beloved and iconic synthesizers ever designed, it returns\u003cbr\u003eto inspire the next generation of electronic musicians.\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e\n\u003ch4\u003eA Timeless Recreation of the Most Important\u003cbr\u003eSynthesizer in History\u003cbr\u003eBuilt to last a lifetime, each new Minimoog Model D delivers the revered\u003cbr\u003equality, undefinable feel, and authentic sound of a pristine vintage Moog.\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003eThe coveted sound engine and audio signal path remain identical to the Model D\u003cbr\u003ethat Bob Moog and his team engineered in the 1970s. This latest edition of the\u003cbr\u003einstrument also includes the series of popular functional modifications from the\u003cbr\u003e2016 production run that expanded this storied synthesizer’s capabilities. These modifications include a dedicated analog LFO with triangle and square\u003cbr\u003ewaveshapes, a premium Fatar keybed with velocity and after pressure available\u003cbr\u003evia top panel CV jacks with onboard trimpots, MIDI integration, improved pitch\u003cbr\u003ewheel calibration, and a mixer feedback modification which allows the Minimoog\u003cbr\u003eModel D to overdrive and scream with the turn of a knob.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePlus, for the first time in its history, the Minimoog Model D now features a\u003cbr\u003espring-loaded pitch wheel that returns to center upon release. This\u003cbr\u003eenhancement—a popular artist request—allows for improved playability and wild\u003cbr\u003eperformance flourishes. This newest edition also includes updates to the MIDI\u003cbr\u003efunctionality, allowing for improved modern studio integration.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Moog","offers":[{"title":"Default Title","offer_id":44061960372394,"sku":"","price":4999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/Minimoog_d.jpg?v=1668741289"},{"product_id":"synamodec-synadrone","title":"Synamodec - Synadrone","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QKhZ0zGirKo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSYNADRONE\u003c\/p\u003e\n\u003cp\u003eThe Synadrone consists in four combined oscillators that create powerful and and organic sounds.\u003cbr\u003eThe mix of the four oscillators as well as their arrangement can be varied by acting on the switches. Oscillators modulate each other in a complex way, but you can control the results of this modulation manually with the pots.\u003cbr\u003eThe oscillation section includes after the oscillation section a low pass filter with cutoff and resonance controls.\u003cbr\u003eCutoff and resonance allow to change from very powerful and “full” bass sounds to delicate and very refined highs.\u003cbr\u003eIt has the option to send the filter output signal to a delay, with repeat and level controls.\u003cbr\u003eThe Synadrone also incorporates a built-in lfo with rate and level controls to modulate the delay time.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003eThe synadrone is a compact synthesizer suited for ambient sounds, noise, textures and drones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower supply +9v (center Positive)\u003c\/li\u003e\n\u003cli\u003eOutput Minijack Mono\u003c\/li\u003e\n\u003cli\u003e4 OSCILLATORS\u003c\/li\u003e\n\u003cli\u003e4 MODULATIONS\u003c\/li\u003e\n\u003cli\u003eFILTER – CUTOFF-RESONANCE\u003c\/li\u003e\n\u003cli\u003eLFO\u003c\/li\u003e\n\u003cli\u003eANALOG DELAY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Synamodec","offers":[{"title":"Default Title","offer_id":44344672321706,"sku":"","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/IMG_5973.jpg?v=1675370462"},{"product_id":"synamodec-astrogorus","title":"Synamodec - Astrogorus","description":"\u003cp\u003eASTROGORUS\u003c\/p\u003e\n\u003cp\u003eAstrogorus is an standalone compact synthesizer focused to harsh noise and drones. Huge sound with infinte possibilities. Easy to operate and built into alluminium case.\u003c\/p\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003eDesktop analog synth for noise, experimentation and drone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree independent oscillators with rate control.\u003c\/li\u003e\n\u003cli\u003eAdditional oscillator sum of the three previous ones plus noise\u003c\/li\u003e\n\u003cli\u003eMixer for the oscillators \u0026amp; noise\u003c\/li\u003e\n\u003cli\u003eSix controls to select the type of noise on the fourth oscillator\u003c\/li\u003e\n\u003cli\u003eHarmonic section with six band filter \/ eq\u003c\/li\u003e\n\u003cli\u003eFeedback and level control\u003c\/li\u003e\n\u003cli\u003eDistortion with level and feedback\u003c\/li\u003e\n\u003cli\u003eTwo band tone control\u003c\/li\u003e\n\u003cli\u003eExternal Power Supply included (24 v positive to the center)\u003c\/li\u003e\n\u003cli\u003e1\/4 “mono jack output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Synamodec","offers":[{"title":"Default Title","offer_id":44344674681002,"sku":"","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/4fc9153d-c3c4-48da-84ec-8269743fe270.jpg?v=1675370290"},{"product_id":"buchla-207","title":"Buchla - 207 Classic Reissue – Mixer\/Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eBuchla - 207\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Buchla Classic Reissue of the Mixer\/Preamplifier Model 207 includes a six channel stereo mixer with voltage-controlled panning and a single channel preamplifier with impedance and gain switches for a variety of input levels. Also included are per channel program and monitor switches and a monitor output.\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44974160412842,"sku":"","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/207.jpg?v=1743477456"},{"product_id":"buchla-258","title":"Buchla - 258 Classic Reissue – Dual Oscillator","description":"\u003cp\u003e\u003cstrong\u003eBuchla - 258\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Buchla Classic Reissue of the Dual Oscillator Model 258 is comprised of two independent voltage-controlled oscillators, each continuously tunable from 5 Hz to 20 kHz with two frequency CV inputs, waveshape CV input, and an FM input – each parameter with an offset control.\u003c\/p\u003e\n\u003cp\u003eThe top oscillator waveshape can be shifted from sine to saw and the bottom oscillator waveshape can be shifted from sine to square, allowing for a great range of timbre.\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44974160773290,"sku":"","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/250_74083543-d119-4f98-ad72-6fd0092675db.jpg?v=1743477445"},{"product_id":"buchla-266-classic-reissue-source-of-uncertainty","title":"Buchla - 266 Classic Reissue – Source of Uncertainty","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBuchla - 266\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Buchla Classic Reissue of the Source of Uncertainty Model 266 provides a general source of musical unpredictability. Operation is divided into several sections, each of which perform a unique function.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThree type of noise are available, with corresponding dedicated outputs. White noise is electrically flat, but acoustically balanced toward the high end of the spectrum ( 3 db\/octave). Integrated white noise has a low spectral bias (-3 db\/octave). Musically flat noise has a flat spectrum (constant energy per octave) and is a particularly useful source for subsequent processing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFluctuating Random Voltages are continuously variable, with voltage control of bandwidth over the range of .05Hz to 50Hz, making possible changes that vary from barely perceptible movement to rapid fluctuation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eQuantized Random Voltages change upon receiving pulses. The number of states is voltage-controllable.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 266 also includes a Stored Random Voltages section, a voltage controlled Integrator and a Sample and Hold.\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44974161232042,"sku":"","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/266cre.jpg?v=1744486831"},{"product_id":"buchla-281-classic-reissue-quad-function-generator","title":"Buchla - 281 Classic Reissue – Quad Function Generator","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBuchla - 281\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Buchla Classic Reissue of the Quad Function Generator Model 281. It comprises four function generators organized in two pairs. All four generators can operate independently or can be linked in pairs to generate more complex output voltages.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA switch selects one of three modes: Transient, Sustained, and Cyclic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUpon receiving a pulse, a generator’s output voltage ramps up to 10V at a rate determined by the sum of an applied control voltage and the setting of the attack time knob. When in Sustained mode, the voltage will stay high as long as the input pulse is maintained; when not in the Sustained mode, or when the input pulse terminates, the output ramps down to 0V at a rate determined by the sum of the decay voltage and the setting of the decay knob.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt the end of the Decay segment, a transient pulse appears at the pulse output. If the 281 is in Cyclic mode, the cycle now repeats.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe time range for both Attack and Decay is from .001 to 10 seconds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the Quadrature mode, generators A and B (or C and D) operate in tandem with their functions shifted by ninety degrees in relation to each other. An OR function can be invoked to generate more complex envelopes (ADSR)\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44974162411690,"sku":"","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/281.jpg?v=1743477399"},{"product_id":"buchla-292-classic-reissue-quad-lopass-gate","title":"Buchla - 292 Classic Reissue – Quad Lopass Gate","description":"\u003cp\u003e\u003cstrong\u003eBuchla - 292\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Buchla Classic Reissue of the Quad Lopass Gate Model 292 rev C includes four independent voltage-controlled amplifiers. Each has a signal input and output, a control voltage input that varies the unit’s gain and an offset adjustment. A switch selects one of three operating modes: straight gate (VCA), lowpass filter (VCF), or a combination of the two, in which the spectral response varies as the gain is changed.\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44974163460266,"sku":"","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/292_e4c9350f-e761-4ab8-95a2-365559a3e1bf.jpg?v=1743477384"},{"product_id":"buchla-230-classic-reissue-triple-envelope-follower","title":"Buchla - 230 Classic Reissue – Triple Envelope Follower","description":"\u003cp\u003e\u003cstrong\u003eBuchla - 230\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Buchla Classic Reissue of the Triple Envelope Follower Model 230 produces three sets of control voltages and pulses relative to amplitude of the signal inputs. Sensitivity and decay time can be adjusted per channel.\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44974163919018,"sku":"","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/230.jpg?v=1743477345"},{"product_id":"buchla-257-classic-reissue-dual-control-voltage-processor","title":"Buchla - 257 Classic Reissue – Dual Control Voltage Processor","description":"\u003cp\u003e\u003cstrong\u003eBuchla - 257\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Buchla Classic Reissue of the Dual Control Voltage Processor Model 257 includes two identical sections. Each allows several applied control voltages to generate a single output voltage. CV Processing includes addition, subtraction, inversion, scaling, and multiplication as well as voltage controlled transfer between two CV inputs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44974167097514,"sku":"","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/257.jpg?v=1744486754"},{"product_id":"buchla-h-port-for-i-o-breakouts","title":"Buchla - H Port for I\/O Breakouts","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBring your I\/O BREAKOUT to the front in this convenient “h” size adapter\u003cbr data-mce-fragment=\"1\"\u003e **Please note: This item is the panel for moving your existing H module MIDI I\/O to the front panel of your system. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBU-HPORT\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44977586536618,"sku":"","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/hport.png?v=1691022977"},{"product_id":"buchla-easel-x7-usb-a-midi-host-expander","title":"Buchla - Easel X7 USB-A MIDI Host Expander","description":"\u003cdiv class=\"woocommerce-product-details__short-description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Buchla Easel X7 USB-A MIDI HOST Expander adds USB-A MIDI host functionality to the Easel Command.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuchla Easel X7 USB-A MIDI HOST Expander works requires the Easel Command. It will not work with the à la carte 208C module in a 200e system.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBU-X7-USBA\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44977603051690,"sku":"","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/USB-A-1.jpg?v=1691023620"},{"product_id":"buchla-csm4-busboard-expansion","title":"Buchla - CSM4 Busboard Expansion","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePower Busboard replacement for CSM-4 and 2015-2019 Music Easel\/LEM208 that creates the ability to power multiple Buchla modules.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBU-CSM4BE\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44977627463850,"sku":"","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/csm4.jpg?v=1691024417"},{"product_id":"buchla-i-o-port-cover","title":"Buchla - I\/O Port Cover","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA convenient cover for your 201e Case\/Boat’s I\/O Hatch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBU-IOHC\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44977673240746,"sku":"","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/portcover.jpg?v=1691027062"},{"product_id":"buchla-retro-program-card","title":"Buchla - Retro Program Card","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith some basic soldering and circuit knowledge, you can design your own presets with this old-school analog program card blank and hone your DIY skills. *works with ME-X7, ECM-X7, 208C, and 2013-2019 Music Easel\/LEM208.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBU-RPC\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla","offers":[{"title":"Default Title","offer_id":44977677205674,"sku":"","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/RPC.jpg?v=1691027314"},{"product_id":"error-instruments-broken-tape-simulator","title":"Error Instruments - Broken Tape Simulator Mk3","description":"\u003ch1\u003e\u003cstrong\u003eError Instruments - Broken Tape Simulator\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CYQpXquLbMc?si=oLoTpC0w5z_BJt1d\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Broken Tape Simulator BenT MK3 is the latest version inspired by circuit bent sounds, offering a unique blend of lo-fi, glitch, delay, and tape effects. This standalone tabletop unit is designed to simulate the sound of a broken tape recorder, allowing you to control pitch and bit rate for a compressed audio sound with lo-fi feedback.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe speed and movement of the sensor can be controlled by a switch, or with a CV input for further manipulation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNew high-quality switches and additional options like wet\/dry controls and an attenuator for control voltage make the BenT MK3 a versatile tool for creating experimental sounds. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhether you're using it in a eurorack setup or with Korg Volcas, this unit offers a wide range of sonic possibilities. Simply plug in, adjust the knobs for different effects, and experiment with the sensor and CV input to create unique textures and tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe BenT MK3 comes with a power cable, bat clip for 9V battery operation, and is ready to take your music to new heights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBe sure to check out the demonstration video below to see the Broken Tape Simulator in action.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2rvOkusiSQs?si=KaerEzMYBpRkeuGO\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":45006127825066,"sku":"","price":115.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/brokentapemk32.jpg?v=1731361011"}],"url":"https:\/\/www.noisebug.net\/collections\/summer-high-end-2026.oembed?page=4","provider":"Noisebug","version":"1.0","type":"link"}