Korg KingKORG 61 Key Analog Modeling Synthesizer
A new generation of modeling synthesizer that covers all synth sounds.
How you do imagine the synth sounds you want to use in a live performance or a recording? Do you think of favorite songs or admired artists, or freely imagine sounds within yourself? And can you create those sounds using your synth?
The KingKORG faithfully reproduces the ways in which the oscillator and filter of an analog synthesizer can change, giving you freedom to shape your sound. A diverse range of synth sounds can be covered by this single instrument.
The long-awaited black model arrives.
A stylish black model has arrived. The black panel with its array of parameter knobs expresses a reverence for classic instruments of history, and awakens the instincts of the keyboardist who wants to control the sound to their heart's content.
- A full-fledged, 61-key analog modeling synthesizer designed for live performance
- Powerful oscillators that are understandable to the beginner, yet satisfying for the expert
- Modeling filters that reproduce the sound of classic instruments
- Three master effect sections (each with six effect types) add the finishing touch to your sound
- Vacuum tube driver circuit adds rich overtones and powerful distortion
- New panel layout designed for intuitive operation
- CV/GATE OUT jack lets you control a Korg monotribe or MS-20
- Support for librarian software that lets you manage programs
Powerful oscillators that are both understandable to the beginner and satisfying for the expert
KingKORG features a 3-oscillator x 2-timbre design allows you to generate thick and rich sounds, plus a newly developed XMT modeling sound engine. XMT (Xpanded Modeling Technology) is proprietary Korg. XMT was created specifically to offer a wide variety of sounds, while keeping operation simple. In a conventional synthesizer, the sound-creation process requires you to adjust the oscillator settings one by one, making it difficult to see the overall picture. In contrast, KingKORG provides pre-set algorithms that contain combinations of various types and numbers of oscillators, letting you easily and quickly sculpt stage-ready sounds. The wide range of oscillator algorithms includes the choices you’d expect from an analog synthesizer–sawtooth wave, square wave, and noise–in addition to numerous PCM/DWGS algorithms, giving you plenty of choices for creating highly personal sounds.
While designing KingKORG, extreme attention was paid to the filter section, which is crucial to any synthesizer's character.
A diverse variety of filters is a unique advantage when it comes to analog modeling, and KingKORG’s filters add unparalleled flexibility. In addition to a variety of essential analog modeling filter types, you get faithful models of filters that reproduce the analog monophonic synths used for lead and bass in the '70s, the polyphonic synths used in new wave music of the '80s, and the filters of Korg's classic MS-20 analog synth.
These filters can also be made to self-oscillate by raising the resonance setting– a unique capability of analog synthesizers.
KingKORG provides three master effect slots, each giving you a choice of six effect types: PRE FX, with types such as distortion and amp simulator; MOD FX, with classic effects like phaser, chorus, and tremolo; and REV/DELAY, with ambience effects such as hall reverb and modulation delay.
Each effect processor has a dedicated front panel dial that selects the effect type. To choose the ideal effect type, simply turn the dial to hear the result, and use the FX control knobs located below these dials to adjust the effect as desired.
Built upon years of analog experience that Korg has acquired throughout its history, KingKORG provides a full-analog vacuum tube driver circuit as a mastering effect. You can use it to add warm fullness, a powerful overdrive, or anything in between.
The built-in vocoder uses audio from the onboard mic input to modify the sound, creating an effect as though the synthesizer were talking. Kingkorg's vocoder features Formant Shift to dramatically modify the tonal character, as well as Formant Hold, which allows you to “freeze” a vowel sound and play it back using the keys. Thanks to the KingKORG’s dual-timbre architecture, you can even combine the vocoder with another timbre, either as a complementing sound or a modulation source.
On many classic synthesizers (such as the MS-20), the signal flow could be reconfigured using patch cables to physically connect one element to another. KingKORG reproduces this function with an intuitive Virtual Patch system. With six Virtual Patch assignments per timbre, control signals such as EG, LFO, or joystick movement can be virtually connected to sound parameters such as pitch or cutoff, allowing you to modulate a parameter for even greater sound-shaping possibilities.
The step arpeggiator automatically generates an arpeggio phrase (broken chord) according to the chord you hold on the keyboard. You can choose from six arpeggio types, and specify the duration, interval, and on/off status of each step to enjoy a wide variety of performance possibilities.
The newly designed panel is organized into blocks that let you focus on the controls you need while editing. While reflecting the concept of an analog synthesizer's signal flow, KingKORG's front panel takes full advantage of today's technology.
For example, the oscillator section has its own dedicated display that shows the name of the currently selected algorithm. You can turn the dial located beside this display to see descriptive names, and push the dial to jump to the beginning of categories such as ANALOG or DWGS. The control knobs are assigned to the most effective and important parameters for each oscillator, letting you enjoy the unique feature of an analog synthesizer --- turning the knobs to transform the sound. There are also dedicated dials for each of the three master effects, making it easy to try out different effects and hear how they modify the sound. Since a self-luminous organic EL display is used, visibility is excellent even on a dimly lit stage or in direct sunlight.
The Favorites function lets you recall frequently-used programs at a single touch. You can assign a total of 40 programs to the eight category favorite buttons for easy recall.
KingKORG provides a diverse selection of 200 stage-ready preset programs organized into eight categories such as Synth, Lead, and Bass. There's a great selection of the staple sounds you need for live performance, including numerous PCM sounds for piano, electric piano, organ, and clavinet. Thanks to KingKORG’s ability to emulate filters from classic synthesizers, you’ll find familiar and authentic sounds that are perfect for playing your favorite classic and modern songs, along with new and inspiring sounds to broaden your horizons. There's also a user area for you to store 100 of your own sounds.
The CV/GATE OUT jack lets you use an analog signal to control a KORG MS-20 or monotribe. A dedicated cable is included, allowing you to use the keyboard of KingKORG to play the MS-20 mini or monotribe.
You can manage programs on your computer simply by connecting KingKORG to your computer via a USB cable and using the librarian software. The librarian software can be downloaded at no charge from the Korg website or from the website of your local Korg distributor.
Number of Category: 8 categories
Number of Timbre: Max 2 timbres (Layer / Split)
Maximum polyphony: 24 voices
Number of Type: 127 types (Analog & Noise:64 + DWGS:30 + PCM:50 + MIC IN)
Filter Number of Filter: 1 Filter (choose from LPF, HPF, BPF)
Number of Type: 18 types (LPF:7 + HPF:5 + BPF:6 / including modeling filters)
Modulation: EG: 2 units, LFO: 2 units, AMP
Routing: Virtual patch per timbre: 6 sets
Types PRE FX: 6 types (DISTORTION, DECIMATOR, RING MOD, GT AMP, EP AMP, TONE)
MOD FX: 6 types (FLANGER, CHORUS, U-VIBE, TREMOLO, PHASER, ROTARY)
REV/DELAY: 6 types (HALL, ROOM, PLATE, TAPE ECHO, MOD DELAY, BPM DELAY)
6 types (UP/DOWN/ALT1/ALT2/RANDOM/TRIGGER)
Input Impedance: 6.8 kΩ
Maximum level: -12 dBu
Output Audio Output “L/MONO, R”: Connecter: φ6.3 mm, TS phone jack (Unbalanced)
Load Impedance: 10 kΩ or higher
Maximum level: +8.2 dBu
Headphones: Connecter:φ3.5 mm, Stereo min phone jack
Maximum level: 60 mW + 60 mW @33Ω
Sub Displays for Oscillator and Filter Sections: 128 x 64 pixel OLED (Organic Light-Emitting Diode)
Control Inputs: DAMPER pedal jack (half‐damper not supported), SWITCH/PEDAL jack
Control Output: CV/GATE Out jack
Power supply: AC Adapter (DC12V)
Power Consumption: 10 W
(W x D x H) 1,027 x 313 x 96 mm / 40.43 x 12.32 x 3.78 inches
Weight: 7.0 kg / 15.43 lbs.
Application Temperature Range: 0 - +40 degrees (Do not dew condensation)
Accessories: AC Adapter
CV/GATE cable (For KORG “monotribe” only)